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  • WPC 60th Anniversary Exhibition The DMV Collects the DMV
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Bulletin, November 24, 2021

Helen Frederick Terzo Piano flyer

In-Person Visit to the
Helen Frederick Exhibition
Sanjeevani
Terzo Piano Gallery
Wednesday, December 1, 1:00 pm

This is a Members-Only Event

Please join us on December 1 for a very special in-person visit to Helen Frederick’s wonderful retrospective at the Terzo Piano Gallery. Helen Frederick will lead the tour of the exhibition, offering us her insights about her work and its inspirations.

This is a members-only event and attendance is limited to 20. Please register using the button below.

Terzo Piano is located at 1515 14th St., NW, Washington, DC. Third Floor.

RSVP for the Helen Frederick’s exhibition event at Terzo Piano

Banner detail: Paul Sandby, Caernarvon Castle (Night), 1776, etching and aquatint printed in brown on laid paper, Gift of Ruth B. Benedict, 1994.60.58
Banner detail: Paul Sandby, Caernarvon Castle (Night),
1776, etching and aquatint printed in brown on laid paper, Gift of Ruth B. Benedict, 1994.60.58

Reminder to sign up for
Aquatint: From Its Origins to Goya

Tuesday, December 7, 11:00 am
an online conversation with
curator Rena Hoisington

Only a few spots remain for the Washington Print Club conversation with National Gallery of Art curator Rena Hoisington about the fascinating exhibition, Aquatint: From Its Origins to Goya. This program will be online via Zoom and is open to all. Please be sure to sign up soon so that you don’t miss out.

As stated on the National Gallery’s website, “In the second half of the eighteenth century, the blossoming of a new printmaking technique—aquatint—vastly expanded possibilities for creating and disseminating images across Europe. Aquatints offered the unprecedented means to mimic the gestural brushstrokes and subtle tonal variations of ink, wash (diluted ink), and watercolor drawings. Produced in multiples, aquatints were avidly collected by enthusiasts as a form of visual instruction, an intellectual pursuit, and a social pastime. Typically printed in an array of brown and black inks, these compositions engaged viewers with scenes of faraway places, scientific phenomena, and imaginary visions. The atmosphere of excitement and intrigue around the innovation of aquatint aligned with the Enlightenment period’s preoccupation with discoveries and advances in knowledge. Most of these selected works from the National Gallery’s exceptional collection of early aquatints have never been on public view.”

Click here to register for the December 7 program

Save the Date

January 12, 11:00am: Online conversation on the National Gallery’s exhibition “The New Woman Behind the Camera” with exhibition curator Andrea Nelson.


Member News

Opening December 2 at McLean Project for the Arts, Sheila Crider will exhibit works from an ongoing series that combines painting, drawing, braiding, stitching and weaving to create three-dimensional abstract forms.

Pyramid Atlantic’s “10×10 Invitational” opens to the public December 4. The exhibition features works by an invited group of 125+ local and national artists. All works are sized 10” square and priced at $50. Please visit the Pyramid Atlantic website for more information about visiting the exhibition.

From Susan Goldman:

 Printmaking Legacy Project Peterson Flyer
Register to view the documentary here

From the Washington Printmakers Gallery:

Membership Drive Flyer 2021
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