Prints by WPC Artist Members
Jeanette Bolden
Untitled, 2020 Edition 3/4.
3 color reduction block print, paper, gouache 11 x 14 ins.
Untitled, 2020 Edition 3/4.
3 color reduction block print, paper, gouache 11 x 14 ins.
2021 WPC Young Printmaker Award Recipient
Carol Reed
RED FAN WALL, 2018
stamp, stencil print, colored pencil, ink, acrylic paint on 140lb smooth cotton paper 27 x 33 ins.
RED FAN WALL, 2018
stamp, stencil print, colored pencil, ink, acrylic paint on 140lb smooth cotton paper 27 x 33 ins.
Adjoa J. Burrowes
Celestial Flight_2, 2021
monotype on wood board with cut paper 12"w x 30"l x 4"d
Celestial Flight_2, 2021
monotype on wood board with cut paper 12"w x 30"l x 4"d
Will Tuthill
Berkeley Madrone Grove, 2005. Edition of 20
Lithograph on Rives BFK Paper 23"h x 16"w
Berkeley Madrone Grove, 2005. Edition of 20
Lithograph on Rives BFK Paper 23"h x 16"w
Nancy McIntyre
Seventeenth Street, 1991
Water-based silkscreen print
Seventeenth Street, 1991
Water-based silkscreen print
Kristine Deninno
One with water edition 1/4
Solar plate etching, size 8’ x 10’
One with water edition 1/4
Solar plate etching, size 8’ x 10’
Beverly Ress
Branch, 2015
Colored pencil on paper, cut, opened
Branch, 2015
Colored pencil on paper, cut, opened
Jenny Freestone
Flight, 2010
Photogravure, Etching. 10 x 13"
Flight, 2010
Photogravure, Etching. 10 x 13"
Soledad Salame
White is Becoming Blue, 2019
Silkscreen on silk organza, 40 x 30 ins.
White is Becoming Blue, 2019
Silkscreen on silk organza, 40 x 30 ins.
Eve Stockton
Woodland Landscape II, 5/5
Woodcut on tea-soaked paper, 3'x6'
Woodland Landscape II, 5/5
Woodcut on tea-soaked paper, 3'x6'
Ellen Winkler
Tired Man, Kogod 2020 Edition 6
Etching with chine collé. Rives BFK with Kozo 4 x 3 ins.
Tired Man, Kogod 2020 Edition 6
Etching with chine collé. Rives BFK with Kozo 4 x 3 ins.
Rosemary Cooley
Spring Was Different, 2020
Monoprint collage on Arches 88. 11 x 14 ins.
Spring Was Different, 2020
Monoprint collage on Arches 88. 11 x 14 ins.
Kabuya Pamela Bowens Saffo
Hell & High Water
Monoprint techniques, photo litho relief roll-up and stencils 30 x 30 ins.
Hell & High Water
Monoprint techniques, photo litho relief roll-up and stencils 30 x 30 ins.
Max-Karl Winkler
Stairwell, North Yorkshire, 2019
Reduction Woodcut (8-Color) 13.75 x 11 ins.
Stairwell, North Yorkshire, 2019
Reduction Woodcut (8-Color) 13.75 x 11 ins.
Gail Shaw-Clemons
"Mask 3", 2020
Lithograph Transfer on Gel Medium 14 x 11 ins.
"Mask 3", 2020
Lithograph Transfer on Gel Medium 14 x 11 ins.
Deborah Schindler
Vortex, 2020
Linoleum Cut 15 x 18 ins.
Vortex, 2020
Linoleum Cut 15 x 18 ins.
Randi Reiss-McCormack
Paper Trees have Paper Fruit, 2018 Edition 1/1
Chine collé with linoleum and photopolymer etching 22 x 30 ins.
Paper Trees have Paper Fruit, 2018 Edition 1/1
Chine collé with linoleum and photopolymer etching 22 x 30 ins.
Susan Due Pearcy
"Lives Lost - Personal Stories", 2021
Monotype with Akua ink, chine collé, collage, drypoint, colored pencil over ghost print 22.5 x 17 ins. on Arches 88
"Lives Lost - Personal Stories", 2021
Monotype with Akua ink, chine collé, collage, drypoint, colored pencil over ghost print 22.5 x 17 ins. on Arches 88
Susan J Goldman
BLUE BLOSSOM, 2016 Edition 10
Screenprint 15 x 13 ins.
BLUE BLOSSOM, 2016 Edition 10
Screenprint 15 x 13 ins.
Martha Olson
Portrait of Michael Taylor, 1970
Silver and photographic gelatin on photographic paper, 9 7/8 × 8 in Collection of the Smithsonian National Museum of African American History and Culture, Gift of the artist.
Portrait of Michael Taylor, 1970
Silver and photographic gelatin on photographic paper, 9 7/8 × 8 in Collection of the Smithsonian National Museum of African American History and Culture, Gift of the artist.
Joan Root
The Arrival, 1981
Hand drawn, Stone Lithograph 18 x 14.5 ins.
Associated American Artists Commissioned Edition
The Arrival, 1981
Hand drawn, Stone Lithograph 18 x 14.5 ins.
Associated American Artists Commissioned Edition
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