Kristine Deninno
Here comes the sun, collagraph monoprint, 14” square, edition 1/1
Here comes the sun, collagraph monoprint, 14” square, edition 1/1
Jenny Freestone
Nigellae Damascena, 2012. Etching and Aquatint. 24 x 18 ins.
Nigellae Damascena, 2012. Etching and Aquatint. 24 x 18 ins.
Beverly Ress
Open, 2015, Colored pencil on paper, laser-cut, opened.
Open, 2015, Colored pencil on paper, laser-cut, opened.
Caroline Thorington
Doppelgänger, Lithograph, 2018
Doppelgänger, Lithograph, 2018
Nancy McIntyre
Seventeenth Street, 1991. Water-based silkscreen print.
Seventeenth Street, 1991. Water-based silkscreen print.
Kristine Deninno
One with water, Solar plate etching, size 8’ x 10’ edition 1/4
One with water, Solar plate etching, size 8’ x 10’ edition 1/4
Beverly Ress
Branch, 2015. Colored pencil on paper, cut, opened.
Branch, 2015. Colored pencil on paper, cut, opened.
Jenny Freestone
Flight, 2010. Photogravure, Etching. 10 x 13"
Flight, 2010. Photogravure, Etching. 10 x 13"
Caroline Thorington
Rhinoceros III, 2019.
Rhinoceros III, 2019.
Eve Stockton
Woodland Landscape II, 5/5, Woodcut on tea-soaked paper, 3'x6'
Woodland Landscape II, 5/5, Woodcut on tea-soaked paper, 3'x6'
Nancy McIntyre
Old Crow III, 1993. Water-based silkscreen print.
Old Crow III, 1993. Water-based silkscreen print.
Soledad Salame
White is Becoming Blue, 2019. Silkscreen on silk organza, 40 x 30 ins.
Image courtesy of the artist and Goya Contemporary Gallery.
White is Becoming Blue, 2019. Silkscreen on silk organza, 40 x 30 ins.
Image courtesy of the artist and Goya Contemporary Gallery.
Will Tuthill
Berkeley Madrone Grove, 2005. Edition of 20
Lithograph on Rives BFK Paper 23"h x 16"w
Berkeley Madrone Grove, 2005. Edition of 20
Lithograph on Rives BFK Paper 23"h x 16"w
The Washington Print Club is a community dedicated to learning about prints and other works on paper; a place to share our interest in the visual arts; an opportunity to connect with others through museum tours, visits to artists’ studios, and other programs.
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Our Programs
The Washington Print Club offers programs for our members that include curator-led exhibition tours, artist-led studio tours, visits to private collections, gallery openings, and more.
Membership
Join the Washington Print Club for invitations to programs and other benefits. Members joining at the “Collector” level and above may choose an original signed print.
On Paper
On Paper: Journal of the Washington Print Club, is published twice yearly. It features an array of informative articles, as well as exhibition reviews and announcements and commentary.
