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Bulletin, January 2021

January 4, 2021

Conversation with Artist Soledad Salamé

As a benefit of your Washington Print Club membership, you have the first opportunity to register for our next Zoom program. Our last online programs sold out quickly. We encourage you to register on Eventbrite promptly before registration is opened to nonmembers.

  • Artist Soledad Salame
    Soledad Salamé

Please join us on Wednesday, January 13, 11:00 (EST) for an online conversation with Chilean-born, Baltimore-based artist Soledad Salamé. Soledad is a printmaker and owner of Sol Print Studio. She will be joined in conversation by Dr. Ksenia Nouril, Jensen Bryan Curator at The Print Center, Philadelphia and Amy Eva Raehse, Executive Direct and Partner at the Goya Contemporary Gallery, Baltimore. Together they will address topics of climate change, immigration and activism as reflected in Salamé’s work, as well as her many artistic collaborations with other printmakers.

Gulf Distortions, I /XII – 2011, Soledad Salamé
Gulf Distortions, I /XII – 2011, Soledad Salamé

Soledad’s work is represented in public and private collections throughout the world including the National Gallery of Art, Washington, DC; the Baltimore Museum of Art; the National Museum of Women in the Arts, Washington, DC; and the World Bank.

  • Ksenia Nouril
  • Amy Eva Raehse
Register for the program on Eventbrite

            


                

Save the Date

Please mark your calendars for February 18, 11:00. The WPC will host Ron Rumford, printmaker and director of the Dolan/Maxwell Gallery in Philadelphia. Dolan/Maxwell deals entirely with works on paper. 

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Please join us on Friday, April 23 11:00am Eastern Time for our next online program. Printmakers and mixed media artists Adjoa Burrowes and Gail Shaw-Clemons, moderated by artist Sheila Crider, will explore the beginnings and evolution of their printmaking practice from traditional etchings and lithographs to their recent three-dimensional format. Both artists will reveal the exact point when their prints became three-dimensional and why. Participants will get a glimpse of their printmaking process through video, highlighting the monotype technique. The discussion will range from the importance of experiencing traditional printmaking techniques, the hazards of printmaking, to how this new work fits into the contemporary printmaking landscape. Registration link in bio.

Images: Gail Shaw-Clemons, "Aya" Monotype print, 15" x 18" x 6" Photo by Greg Staley. Adjoa Burrowes, "Unravel," Monotype on birch wood, aluminum wire. 8" w x 49" h x 8"
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#printmaking #worksonpaper #dcartscene #artisttalk #dmvartist #gailshawclemons #adjoaburrowes #sheilacrider


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We are so excited to share the news that this year’s @ngadc Mellon Lecture series will be on prints and printmaking. Jennifer Roberts of Harvard University will be recording six lectures which will be made available for online viewing without registration. More information is available at NGA.gov.

#prints #printmaking #worksonpaper #mellonlecture #art


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The recording of our conversation with @goldmansusan @galeriemyrtis and artists featured in the exhibition “Black and Blue: Prints in the time of COVID” is now on YouTube. Link in bio.
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#worksonpaper #prints #printmaking #contemporaryart #art #baltimoregallery #dcartscene


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On view until March 20 @hemphillartworks Steven Kushner woodblock prints. Image “Round and Round” (2019).
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#worksonpaper #printmaking #stevenkushner #dcgallery #dmvartist #dcartscene #art


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Now at @criticalpathmethod Gallery in Baltimore: “Figure Study - Drypoint Prints by Louise Bourgeois and Pooneh Maghazehe.”

“This presentation marks the inaugural project of CPM Editions—the publication of a suite of four drypoint prints by Pooneh Maghazehe, exhibited in conversation with four drypoint prints by Louise Bourgeois from 1993-2000.

The pairing of these two artists is presented as a dialogue between two approaches to figuration, taking place on a common material ground—a case study about how the depiction of the body and the concept of figuration has been expressed in different eras, cultures, and aesthetic traditions. This show is also about how the notion of the multiple informs the way we see and process the figure. Equally, this is a study of the historical figure of the artist and how discourse about and between artists evolves.”
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#poonehmaghazehe #louisebourgeois #worksonpaper #printmaking #art #artgallery #baltimoregallery #etching #drypoint


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Opening March 10 at @washingtonprintmakers 

“Metamorphosis examines the ways in which printmakers and photographers are making use of new technologies in their works. A printmaker may start with a classical drawing, then paint a version in color onto acrylic sheets which are then printed onto fine handmade paper. Collage elements may be added, or successive layers may be printed from other matrices. Some prints may find their way into artists’ handmade books.”
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#printmaking #worksonpaper #art #artgallery #dcartscene #dmvartist #dcartgallery


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