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	<title>News | Washington Print Club</title>
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	<lastBuildDate>Tue, 24 Feb 2026 03:16:48 +0000</lastBuildDate>
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		<title>Newsletter, February 21, 2026</title>
		<link>https://washingtonprintclub.org/news/newsletter-february-21-2026/</link>
		
		<dc:creator><![CDATA[WPC]]></dc:creator>
		<pubDate>Sun, 22 Feb 2026 02:57:34 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<guid isPermaLink="false">https://washingtonprintclub.org/?p=7624</guid>

					<description><![CDATA[<p>Join us for a Visit to Mary Cassatt: An American in Paris and In the Library: Mary Cassatt's American Legacy, and a Visit to the Studio of Artist Elzbieta Sikorska.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-february-21-2026/">Newsletter, February 21, 2026</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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<h3 class="wp-block-heading">Please Join us for a Visit to <em>Mary Cassatt: An American in Paris</em> and <em>In the Library: Mary Cassatt&#8217;s American Legacy</em> National Gallery of Art Thursday, March 5, 9:30am</h3>



<p>Please join us on Thursday, March 5, 9:30 am for a visit to the National Gallery of Art exhibition <em>Mary Cassatt: An American in Paris </em>with Rena M. Hoisington, Curator of Old Master Prints. Rena will discuss the artist’s groundbreaking prints and drawings, including a unique group of six works relating to <em>In the Omnibus</em>, in this intimate exhibition. <a href="https://www.nga.gov/exhibitions/mary-cassatt-american-paris" target="_blank" rel="noreferrer noopener">More information here</a>.<br><br>Afterwards the group will tour <em><a href="https://www.nga.gov/exhibitions/library-mary-cassatts-american-legacy" target="_blank" rel="noreferrer noopener">In the Library: Mary Cassatt’s American Legacy</a></em>, an installation of archival photographs, rare catalogs, and documentation that explore the artist’s American ties, with Ellen Prokop, Image Specialist for French Art to 1900, and Elisabeth Narkin, Image Specialist for Architecture.<br><br>Participation is limited to 15 WPC members and their guests. <strong>Please RSVP by February 27.</strong></p>
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<figure class="aligncenter size-full is-resized"><img fetchpriority="high" decoding="async" width="914" height="1268" src="https://washingtonprintclub.org/wp-content/uploads/Mary-Cassatt-On-the-Omnibus.webp" alt="Mary Cassatt, On the Omnibus, color drypoint, softground etching, and aquatint on laid paper, 1890 - 1891" class="wp-image-7625" style="width:500px" srcset="https://washingtonprintclub.org/wp-content/uploads/Mary-Cassatt-On-the-Omnibus-432x600.webp 432w, https://washingtonprintclub.org/wp-content/uploads/Mary-Cassatt-On-the-Omnibus-738x1024.webp 738w, https://washingtonprintclub.org/wp-content/uploads/Mary-Cassatt-On-the-Omnibus-768x1065.webp 768w, https://washingtonprintclub.org/wp-content/uploads/Mary-Cassatt-On-the-Omnibus.webp 914w" sizes="(max-width: 914px) 100vw, 914px" /><figcaption class="wp-element-caption">Mary Cassatt, On the Omnibus, color drypoint, softground etching, and aquatint on laid paper, 1890 &#8211; 1891</figcaption></figure>
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<h3 class="wp-block-heading">Please Join Us for a Visit to the Studio of Artist Elzbieta Sikorska Saturday, March 14, 11:00 am</h3>



<p>Please join us on Saturday, March 14, 11:00 am for a visit to the Silver Spring, MD home and studio of artist Elzbieta (Ela) Sikorska.<br><br>Ela shared: &#8220;I’ve been working on and with paper for a long time. In my presentation, I will focus mostly on drawings, along with examples of my occasional printmaking. I have also worked with papermaking, and in recent works, I collage compositions of artist-made paper and Arches watercolor paper, then draw on them. This series, still an ongoing project, is dedicated to exploring and gaining a deeper understanding of nature. I call it I<em>nvisible Landscape</em>.&#8221;<br> <br>Following a presentation that will take place on the first floor of Ela&#8217;s home, the group will be divided into two groups for visits to the second floor studio which is accessible only via stairs. Light refreshments will be served.<br><br>Attendance is limited to 12 WPC members and their guests. <strong>Please RSVP by March 7.</strong></p>
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<figure class="aligncenter size-full"><img decoding="async" width="800" height="825" src="https://washingtonprintclub.org/wp-content/uploads/Elzbieta-Sikorska-Maze.webp" alt="Elzbieta Sikorska, Maze, ink, pencil, crayons on Arches watercolor, and artist-made abaca paper, 2023, 51” x 49”" class="wp-image-7630" srcset="https://washingtonprintclub.org/wp-content/uploads/Elzbieta-Sikorska-Maze-582x600.webp 582w, https://washingtonprintclub.org/wp-content/uploads/Elzbieta-Sikorska-Maze-768x792.webp 768w, https://washingtonprintclub.org/wp-content/uploads/Elzbieta-Sikorska-Maze.webp 800w" sizes="(max-width: 800px) 100vw, 800px" /><figcaption class="wp-element-caption">Elzbieta Sikorska, <em>Maze</em>, ink, pencil, crayons on Arches watercolor, and artist-made abaca paper, 2023, 51” x 49”</figcaption></figure>
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<h2 class="wp-block-heading">Member News</h2>



<p><strong>Carol Barsha&#8217;s </strong>screen print <em>Menemsha Farmstand I </em>has been acquired by The Library of Congress. It was printed in collaboration with <strong>Susan Goldman&#8217;s</strong> Lily Press.<br><br><strong>Julia Bloom</strong> has work in a group show at the Columbia University Rare Book &amp; Manuscript Library, <a href="https://www.meghitchcock.com/context-at-columbia-university" target="_blank" rel="noreferrer noopener"><em>Context: Art, Books &amp; Freedom</em>.</a> Until May 29. More information <a href="https://library.columbia.edu/libraries/rbml.html#public-programs-exhibits-workshops=" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Adjoa Burrowes</strong> will lead a hands-on <a href="https://librarycalendar.fairfaxcounty.gov/event/16154939" target="_blank" rel="noreferrer noopener">printmaking workshop</a> at the Fairfax Public Library on March 4, 3:00 &#8211; 4:00 pm. Participants will learn how to apply water-based ink to flowers and plants, creating prints through the gelatin process. On March 21, 10:30 &#8211; 11:30 am, Adjoa will be interviewed by artist Claudia &#8220;Aziza&#8221; Gibson-Hunter. More information about the online program <a href="https://www.jjbruns.com/aco-upcomming/" target="_blank" rel="noreferrer noopener">here</a>. In addition, Adjoa&#8217;s work will be on view in the exhibition <em>BLACK(ER)</em> at the MLK Memorial Library, March 11 &#8211; June 14. <em>BLACK(ER)</em> is in conversation with the Library&#8217;s show <em>Freedom and Resistance: An Exhibition Inspired by the 1619 Project.</em> Reception April 29, 6:00 &#8211; 8:00 pm.<br><br><strong>Michéle Colburn&#8217;s</strong> work will be on view at the Arts Club of Washington, March 6 &#8211; 28. Opening reception March 6, 5:00 &#8211; 7:00 pm. RSVP <a href="https://artsclubofwashington.org/events/details/?event_id=6566036" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Catherine Day </strong>and <strong>Zofie King</strong> have work at McLean Project for the Arts&#8217; exhibition <em>Photo Genesis 2</em>. Until February 24. More information <a href="https://mpaart.org/exhibitions/current-exhibitions/" target="_blank" rel="noreferrer noopener">here.</a><br><br><em>Before the Americas</em>, an exhibition curated by <strong>Cheryl Edwards</strong>, is now on view at the University of Maryland Global Campus art gallery. Until May 11. <br><br><strong>Cianne Fragione</strong> has work in the exhibition <em>Wall of She</em> at the Sophie Van de Velde Gallery, Antwerp, Belgium. Until March 22. More information <a href="https://sofievandevelde.be/exhibitions/166-the-wall-of-she-group-exhibition-at-gallery-sofie-van-de-velde/" target="_blank" rel="noreferrer noopener">here</a>.<br><br>The Black Women of Print portfolio, which includes work by <strong>Deborah Grayson</strong>, has been acquired by The Museum of Modern Art (MoMA) and the Whitney Museum of American Art. <br><br><strong>Mira Hecht </strong>is a juror for the 2026 Bethesda Painting Awards. The finalist exhibition will be at Bethesda&#8217;s Gallery B, June 4 &#8211; 28.<br><br><strong>Mary Higgins</strong> will curate <em>Twilight Gatherings: Drawings by Wayne Paige</em>. Studio Gallery, March 25 &#8211; April 18. More information <a href="https://waynepaige.com/" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Alice Kresse</strong> has been juried in to the <a href="https://smithsoniancraftshow.org/" target="_blank" rel="noreferrer noopener">Smithsonian Craft Show,</a> April 23 &#8211; 25.<br><br><strong>linn meyers</strong> has work on view at the Georgetown University gallery exhibition <em>Speculative Morphologies</em>. Until May 17. linn&#8217;s work is also featured in <a href="https://positjournal.com/" target="_blank" rel="noreferrer noopener"><em>Posit,</em></a>  an online poetry. Images of linn&#8217;s work <a href="https://positjournal.com/2026/02/06/linn-meyers/" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Susan Due Pearcy&#8217;s</strong> work has been juried into <em>Joy of Pastel,</em> Biggs Musum of American Art, Dover, DE. Until May 10. Reception March 19, 5:30 -7:30 pm. In addition, one of Susan&#8217;s prints on handmade paper was accepted into the Biennial Maryland Regional Juried Art Exhibition at the University of MD Global Campus. May 24 &#8211; August 9. Opening reception June 7 at 3:00 pm.<br><br><strong>Ana Rendich</strong> will have two works on view at the Quirk Gallery (Richmond, VA), March 1 &#8211; April 30.<br><br><strong>Charles Ritchie</strong> will present an online glimpse into his 172 sketchbook/journals, discussing his life-long practice and answering questions. March 4, 8:00 pm. Sign up <a href="https://www.insightsforartists.com/sketchbook-artist-talk-with-charles-ritchie" target="_blank" rel="noreferrer noopener">here</a>. A replay will be available to all who register but cannot attend the live webinar. In addition, a portfolio of eight full-page color reproductions Charles&#8217; recent drawings will be published in the Winter/Spring 2026 edition of the <em>Southhampton Review</em>. Copies can be pre-ordered <a href="https://www.thesouthamptonreview.com" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Soledad Salamé&#8217;s</strong> exhibition <em>Camouflage</em> is now at the Baffler Museum in Houston, TX. Until March 7. Online catalog <a href="https://www.goyacontemporary.com/attachment/en/60d360873baacb4f945010a9/Publication/69792613884a33501103e747" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Deborah Schindler</strong> will be exhibiting her linoleum cuts at the <strong>Washington Printmakers Gallery.</strong> <em>Land, Sea, Air </em>will run from April 30 to May 31, with a reception on May 9.<br><br><strong>Gail Shaw-Clemons</strong> recently completed a residency at the Vermont Studio Center during which she created a solo exhibition. In addition, Gail&#8217;s work has been juried into the Phillips Collection upcoming invitational exhibition (opening August 1) and her work has been acquired by the DC Commission on Arts and Humanities Art Bank.<br><br><strong>Elzbieta Sikorska</strong> participated in the Art Clinic Online conversation series. A link to that recording is <a href="https://www.jjbruns.com/aco-elzbieta-sikorska/" target="_blank" rel="noreferrer noopener">here</a>. Elzbieta&#8217;s work has also been featured in the magazine <a href="https://www.terrain.org/2025/arterrain/elzbieta-sikorska/" target="_blank" rel="noreferrer noopener"><em>Terrain.org</em></a>.<br><br>An article about <strong>Anne Smith&#8217;s</strong> work was published in <em>The New Rainbow Color School </em><a href="https://christopheraddison.substack.com/p/the-new-rainbow-color-school-1c1?utm_source=post-email-title&amp;publication_id=4550887&amp;post_id=187394369&amp;utm_campaign=email-post-title&amp;isFreemail=true&amp;r=2xknq&amp;triedRedirect=true&amp;utm_medium=email" target="_blank" rel="noreferrer noopener">substack.</a></p>



<h2 class="wp-block-heading">Gallery Member News</h2>



<p><strong>Adah Rose Gallery</strong> <em>Marsha Goldberg and Nathan Mullins: A Small Moment of Amazement. </em>Through February 21. More information <a href="http://www.adahrosegallery.com/" target="_blank" rel="noreferrer noopener">here</a>. Mark Jenkins&#8217; review <a href="https://discerningeye.substack.com/p/soft-feelings" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Addison/Ripley </strong><em>Matthew Curry: Altars </em>until March 7. Coffee and conversation March 7, 11:00 am.<br><br><strong>Gallery Neptune &amp; Brown</strong> <em>William Kentridge: Thinking Vertically, Editions from 1993 to 2024. </em>Until March 21. <br><br><strong>Morton Fine Art  </strong><em>Cutting Near the Edge, </em>an exhibition of sculptural and experimental printmaking works by <strong>Rosemary Feit Covey</strong>. Until March 7.<br><br><strong>PFA Gallery DC Location </strong>(formerly Pazo Fine Art) <em>Dorothy Fratt: Explorations of Color.</em> Until February 28. <br><br><strong>Pyramid Atlantic</strong> <em>Offline: Tracing the Source.</em> Works by Hadiya Williams. Until March 3.<br><br><strong>Washington Printmakers Gallery </strong><em>Big: Large-Scale Prints and Photographs</em>. Until  March 1. Closing reception March 1, 1:30 &#8211; 3:00 pm. Information about classes and workshops <a href="https://www.washingtonprintmakers.com/classes-and-workshops" target="_blank" rel="noreferrer noopener">here</a>.<br><br><em>What Passes Between</em>, an exhibition of work by <strong>Claire Winslow.</strong> March 5 &#8211; 29. Opening reception March 7, 2:00 &#8211; 4:00 pm. Artist talk and demonstration March 29, 2:00 &#8211; 4:00 pm.</p>



<h2 class="wp-block-heading">Save the Dates</h2>



<p><strong>April 11, 11:00 am</strong> &#8211; Tour of <em>Before the Americas</em> with curator Cheryl Edwards<br><br>( New Date) <strong>April 22, 11:00 am</strong> &#8211; Presentation by curator LuLen Walker of artists&#8217; books and portfolios, Special Collections Library of Georgetown University.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-february-21-2026/">Newsletter, February 21, 2026</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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		<title>Newsletter, February 6, 2026</title>
		<link>https://washingtonprintclub.org/news/newsletter-february-6-2026/</link>
		
		<dc:creator><![CDATA[WPC]]></dc:creator>
		<pubDate>Fri, 06 Feb 2026 19:07:13 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<guid isPermaLink="false">https://washingtonprintclub.org/?p=7614</guid>

					<description><![CDATA[<p>Please join us on Sunday, February 22, 1:00 pm for a tour of Humanist Touch: Works from the Weber Collection with exhibition curator Laura Roulet.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-february-6-2026/">Newsletter, February 6, 2026</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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<h2 class="wp-block-heading"><strong>Please Join Us for a Curator-Led Tour of <em>Humanist Touch: Works from the Weber Collection</em></strong></h2>


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<figure class="wp-block-image size-full"><img decoding="async" width="800" height="696" src="https://washingtonprintclub.org/wp-content/uploads/JJMcCracken-The-Feeding-Alice.webp" alt="J.J. McCracken, The Feeding (Alice), detail" class="wp-image-7613" srcset="https://washingtonprintclub.org/wp-content/uploads/JJMcCracken-The-Feeding-Alice-600x522.webp 600w, https://washingtonprintclub.org/wp-content/uploads/JJMcCracken-The-Feeding-Alice-768x668.webp 768w, https://washingtonprintclub.org/wp-content/uploads/JJMcCracken-The-Feeding-Alice.webp 800w" sizes="(max-width: 800px) 100vw, 800px" /><figcaption class="wp-element-caption">J.J. McCracken, The Feeding (Alice), detail, 2020, 22&#8243; x 16&#8243; x 12&#8243;</figcaption></figure>

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<p><strong>American University Art Gallery at the Katzen Center<br>Sunday, February 22, 1:00 pm</strong></p>



<p>Please join us on Sunday, February 22, 1:00 pm for a tour of <em>Humanist Touch: Works from the Weber Collection </em>with exhibition curator Laura Roulet.<br><br>The works from the Weber collection reflect <strong>Joan and Bruce Weber&#8217;s</strong> long engagement with contemporary DMV artists and galleries. When they describe their collection, a strong sense of community emerges, one enriched by personal ties to the artists and by the many conversations, visits, and encounters that shaped their choices. <em>Humanist Touch</em> invites viewers into their world of intuitive, heartfelt collecting. Guided by a principle they call &#8220;Humanist&#8221; &#8212; the belief that art should reveal the hand of the maker and &#8220;demand something from us&#8221; &#8212; the Webers gravitate toward expressive mark-making, layered surfaces, and works that offer an authentic encounter with human creativity.<br><br>The exhibition provides a glimpse into how a meaningful collection grows over time. The Webers&#8217; approach shows how collecting can begin not with expertise or wealth, but with genuine interest and the courage to follow what moves you.<br><br>Featuring painting, sculpture, photography, video, computer art, and performance documentation, the exhibition spans styles from Cubist abstraction to hyperrealism.</p>



<p><br>Attendance is limited to 20 WPC members and their guests. <strong>Please RSVP by February 15.</strong></p>

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<h2 class="wp-block-heading">Member News</h2>



<p><strong>Julia Bloom</strong> has work in a group show at the Columbia University Rare Book &amp; Manuscript Library, <a href="https://www.meghitchcock.com/context-at-columbia-university" target="_blank" rel="noreferrer noopener"><em>Context: Art, Books &amp; Freedom</em>.</a> Until May 29. More information <a href="https://library.columbia.edu/libraries/rbml.html#public-programs-exhibits-workshops=" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Michéle Colburn&#8217;s</strong> George Mason University exhibition was <a href="https://discerningeye.substack.com/p/a-forest-of-details" target="_blank" rel="noreferrer noopener">reviewed by Mark Jenkins.</a> The exhibition closes today (February 6).<br><br><strong>Catherine Day </strong>and <strong>Zofie King</strong> have work at McLean Project for the Arts&#8217; exhibition <em>Photo Genesis 2</em>. Until February 24. Artist talk February 7, 11:00 am. Tea and Talk February 18, 11:00 am. More information <a href="https://mpaart.org/exhibitions/current-exhibitions/" target="_blank" rel="noreferrer noopener">here.</a><br><br><em>Before the Americas</em>, an exhibition curated by <strong>Cheryl Edwards</strong>, will travel to the University of Maryland Global Campus art gallery. February 15 &#8211; May 11. Opening reception February 15, 3:00 pm.<br><br><strong>Cianne Fragione</strong> will have work in the exhibition <em>Wall of She</em> at the Sophie Van de Velde Gallery, Antwerp, Belgium, February 21 &#8211; March 22. More information <a href="https://sofievandevelde.be/exhibitions/166-the-wall-of-she-group-exhibition-at-gallery-sofie-van-de-velde/" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Susan Goldman&#8217;s </strong>work has been acquired by the Library of Congress in honor of retiring curator <strong>Katherine Blood</strong>. The acquisition was marked by an event that included viewing and discussion of works by artists in Susan&#8217;s Lily Press &#8220;stable,&#8221; including <strong>Eve Stockton.</strong><br><br><strong>linn meyers</strong> has work on view at the Georgetown University gallery exhibition <em>Speculative Morphologies</em>. Until May 17.<br><br><strong>Susan Due Pearcy&#8217;s</strong> work has been juried into <em>Joy of Pastel,</em> Biggs Musum of American Art, Dover, DE. Until May 10. Reception March 19, 5:30 -7:30 pm.<br><br>Articles on <strong>Ana Rendich </strong>and <strong>Julia Bloom&#8217;s</strong> work were published in the <em>A/R</em> Substack, which is published by WPC member <strong>Christopher Addison</strong>. More information <a href="https://substack.com/inbox/post/186868017" target="_blank" rel="noreferrer noopener">here</a> and <a href="https://christopheraddison.substack.com/p/the-new-rainbow-color-school-874?utm_source=%2Fsearch%2Frainbow%2520color%2520school&amp;utm_medium=reader2" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Soledad Salamé&#8217;s</strong> exhibition <em>Camouflage</em> is now at the Baffler Museum in Houston, TX. Until March 7. Online catalog <a href="https://www.goyacontemporary.com/attachment/en/60d360873baacb4f945010a9/Publication/69792613884a33501103e747" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Gail Shaw-Clemons</strong> recently completed a residency at the Vermont Studio Center during which she created a solo exhibition. In addition, Gail&#8217;s work has been juried into the Phillips Collection upcoming invitational exhibition (opening August 1) and her work has been acquired by the DC Commission on Arts and Humanities Art Bank.<br><br><strong>Elzbieta Sikorska</strong> participated in the Art Clinic Online conversation series. A link to that recording is <a href="https://www.jjbruns.com/aco-elzbieta-sikorska/" target="_blank" rel="noreferrer noopener">here</a>. Elzbieta&#8217;s work has also been featured in the magazine <a href="https://www.terrain.org/2025/arterrain/elzbieta-sikorska/" target="_blank" rel="noreferrer noopener"><em>Terrain.org</em></a>.<br><br><strong>Caroline Thorington</strong> has work in the Society of American Graphic Artists (SAGA)<em> 90th Annual Members Exhibition </em>at the Housatonic Museum of Art in Bridgeport, CT (until February 13) and had work in the <em>Mini Gems</em> exhibition at the SAGA Gallery in New York City.<br><br><strong>Joyce Wellman</strong> has a work on view in the Phillips Collection exhibition <em>Out of Many: Re-Framing an American Art Collection.</em> Until February 15.</p>



<h2 class="wp-block-heading">Gallery Member News</h2>



<p><strong>Adah Rose Gallery</strong> <em>Marsha Goldberg and Nathan Mullins: A Small Moment of Amazement. </em>Until February 20. More information <a href="http://www.adahrosegallery.com/" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Addison/Ripley </strong><em>Matthew Curry: Altars </em>until March 7. Coffee and conversation March 7, 11:00 am.<br><br><strong>Gallery Neptune &amp; Brown</strong> <em>William Kentridge: Thinking Vertically, Editions from 1993 to 2024. </em>February 7 &#8211; March 21. Opening February 7, 12:00 &#8211; 7:00 pm.<br><br><strong>Hemphill</strong> <em>James Phillips: The Pattern Plays the Mind.</em>  Until February 7. <br><br><strong>Morton Fine Art  </strong><em>Cutting Near the Edge, </em>an exhibition of sculptural and experimental printmaking works by <strong>Rosemary Feit Covey</strong>. February 7 &#8211; March 7.<br><br><strong>PFA Gallery DC Location </strong>(formerly Pazo Fine Art) <em>Dorothy Fratt: Explorations of Color.</em> Until February 28. <br><br><strong>Pyramid Atlantic</strong> <em>Offline: Tracing the Source.</em> Works by Hadiya Williams. Until March 3.<br><br><strong>Washington Printmakers Gallery </strong><em>Big: Large-Scale Prints and Photographs</em>. February 5 &#8211; March 1. Reception February 7, 2:00 &#8211; 4:00 pm. Closing reception March 1, 1:30 &#8211; 3:00 pm.</p>



<h2 class="wp-block-heading">Save the Dates</h2>



<p><strong>March 14, 11:00 am</strong> &#8211; Visit to the studio of Elzbieta Sikorska.<br><br><strong>April 11, 11:00 am</strong> &#8211; Tour of <em>Before the Americas</em> with curator Cheryl Edwards<br><br>( New Date) <strong>April 22, 11:00 am</strong> &#8211; Presentation by curator LuLen Walker of artists&#8217; books and portfolios, Special Collections Library of Georgetown University.</p>



<h2 class="wp-block-heading">Also of Interest</h2>



<p><em>Paper as Inspiration in Artists&#8217; Books</em>. National Gallery of Art Library (East Building). Closing February 6.<br><br>A conversation with Smithsonian American Art Museum paper conservator Basia Nosek. Registration required. February 10. Free tickets available <a href="https://events.blackthorn.io/en/5f4ZMUx7/g/wszFQT7sw9/converse-with-a-conservator-gallery-talk-artworks-on-paper-5a2bVR2QaEn/overview" target="_blank" rel="noreferrer noopener">here</a>.<br><br><em>The Evolving Image: The Complete Prints of Mark Leithauser</em>. Curated by Eric Denker. The Art Gallery at Stanford in Washington. Until February 15. More information <a href="https://siw.stanford.edu/art-gallery/art-gallery-stanford-washington" target="_blank" rel="noreferrer noopener">here.</a> <br><br>April 10 -12. IFPDA Print Fair, NYC. More information <a href="https://www.fineartprintfair.org/event-details/2026-ifpda-print-fair-2?mc_cid=acdcce21fb" target="_blank" rel="noreferrer noopener">here.</a></p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-february-6-2026/">Newsletter, February 6, 2026</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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		<title>Newsletter, January 6, 2026</title>
		<link>https://washingtonprintclub.org/news/newsletter-january-6-2026/</link>
		
		<dc:creator><![CDATA[WPC]]></dc:creator>
		<pubDate>Tue, 06 Jan 2026 16:51:50 +0000</pubDate>
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		<guid isPermaLink="false">https://washingtonprintclub.org/?p=7527</guid>

					<description><![CDATA[<p>January Tours:  The Art Collection of Law Firm Fried Frank and American Landscapes in Watercolor from the Corcoran Collection.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-january-6-2026/">Newsletter, January 6, 2026</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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<h2 class="wp-block-heading">Please Join Us for a Curator-Led Tour of The Art Collection of the Law Firm Fried Frank</h2>


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<figure class="aligncenter size-full"><img loading="lazy" decoding="async" width="211" height="320" src="https://washingtonprintclub.org/wp-content/uploads/Robert-Longo-Edward.webp" alt="Robert Longo, Edward, 1985" class="wp-image-7528"/><figcaption class="wp-element-caption">Robert Longo, Edward, 1985, lithograph, 68&#8243; x 39&#8243; (25/38)</figcaption></figure>
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<div class="wp-block-button"><a class="wp-block-button__link button wp-element-button" href="mailto:beverlywith@gmail.com?subject=January%2023%20Fried%20Frank%20Program" target="_blank" rel="noreferrer noopener">Click here to RVSP for January 23 Fried Frank Tour</a></div>
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<p><strong>Friday, January 23, 11:00 am</strong></p>



<p>Please join us on Friday, January 23, 11:00 am for a tour of the extensive art collection of the law firm Fried Frank. The tour will be led by curator Macyn Bolt.</p>



<p>Fried Frank began building its art collection in 1979 by acquiring contemporary paintings, works on paper, photographs and sculpture that represent a cross section of established artists and younger emerging talent. The goal was to recognize major movements that developed since the 1950s, when the United States began to occupy a more preeminent role in the international art world. Following the critical triumph of abstract expressionism, subsequent generations of artists began questioning the prevailing assumptions that it embodied. Pop, minimalist, conceptual, and post-modern art followed, with their proponents advancing new approaches, mediums and thought. The firm’s collection starts with the first major challenge represented in the work of Jasper Johns and Robert Rauschenberg, and builds from there with artists such as Jim Dine, Roy Lichtenstein, James Rosenquist, and Julian Schnabel. Other new names have also been added over the years, reflecting the intrinsic nature of the ever-changing art world.</p>



<p>Fried Frank is located in Washington, DC. Attendance is limited to 20 WPC members and their guests. <strong>Please RSVP by January 16.</strong></p>



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<h2 class="wp-block-heading">Please Join Us for a Curator-Led Tour of <em>American Landscapes in Watercolor from the Corcoran Collection</em></h2>


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<figure class="aligncenter size-large"><img loading="lazy" decoding="async" width="1200" height="664" src="https://washingtonprintclub.org/wp-content/uploads/William-Trost-Richards-South-West-Point-Conanicut-1200x664.webp" alt="William Trost Richards, South-West Point, Conanicut, 1878/1879" class="wp-image-7532" srcset="https://washingtonprintclub.org/wp-content/uploads/William-Trost-Richards-South-West-Point-Conanicut-600x332.webp 600w, https://washingtonprintclub.org/wp-content/uploads/William-Trost-Richards-South-West-Point-Conanicut-768x425.webp 768w, https://washingtonprintclub.org/wp-content/uploads/William-Trost-Richards-South-West-Point-Conanicut-1200x664.webp 1200w, https://washingtonprintclub.org/wp-content/uploads/William-Trost-Richards-South-West-Point-Conanicut-1536x850.webp 1536w, https://washingtonprintclub.org/wp-content/uploads/William-Trost-Richards-South-West-Point-Conanicut.webp 1600w" sizes="auto, (max-width: 1200px) 100vw, 1200px" /><figcaption class="wp-element-caption">William Trost Richards, South-West Point, Conanicut, 1878/1879, watercolor and gouache, Gift of Mr. and Mrs. J. B. Riggs Parker, honoring their children</figcaption></figure>
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<div class="wp-block-button"><a class="wp-block-button__link button wp-element-button" href="mailto:beverlywith@gmail.com?subject=RSVP%20for%20the%20January%2027%20NGA%20Program" target="_blank" rel="noreferrer noopener">Click to RSVP for the January 27 NGA Tour of American Landscapes in Watercolor</a></div>
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<p><strong>National Gallery of Art<br>Tuesday, January 27, 11:00 am</strong></p>



<p>Please join us on Tuesday, January 21, 11:00am for a tour of the NGA exhibition American Landscapes in Watercolor from the Corcoran Collection with Amy Johnson, Associate Curator of Collections, Prints and Drawings.</p>



<p>Drawn mostly from the Corcoran Collection, a selection of 30 landscapes and seascapes dating from 1800 to 1991 reflect the colorful journey of watercolors across America. The landscapes are arranged in three themes: sights associated with Washington, DC; the rivers, waterfalls, and seascapes of New England; and western views of Yosemite, Yellowstone, and the California coast.</p>



<p>The earliest watercolor painters arrived here with European settlers in the late 16th century. Over the next 200 years, the medium was used primarily by commercial and amateur artists. Printmakers and explorers found watercolors to be an inexpensive and portable material apt for mapping and documenting the landscape. In the 19th century, painters turned to watercolors to depict the country in larger and more carefully finished works.</p>



<p>After the American Watercolor Society was founded in 1867, watercolors came to be seen as an independent fine art. Winslow Homer, William Trost Richards, and other artists exploited the medium’s potential to produce finished works worthy of collecting and putting on public display. More information about the exhibition can be found here.</p>



<p>Attendance is limited to 20 WPC members and their guests. <strong>Please RSVP by January 20</strong>.</p>

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<h2 class="wp-block-heading">Member News</h2>



<p><strong>Julia Bloom</strong> has work in a group show at the Columbia University Rare Book &amp; Manuscript Library, <a href="https://www.meghitchcock.com/context-at-columbia-university" target="_blank" rel="noreferrer noopener"><em>Context: Art, Books &amp; Freedom</em>.</a> Until May 29. More information <a href="https://library.columbia.edu/libraries/rbml.html#public-programs-exhibits-workshops=" target="_blank" rel="noreferrer noopener">here</a>.<br><br><em>Material Acts of Resistance: <strong>Michèle Colburn</strong></em> is on view at George Mason University Founder&#8217;s Gallery at Mason Square until February 5. <br><br><strong>Catherine Day</strong> and <strong>Zofie King</strong> have work at McLean Project for the Arts&#8217; exhibition <em>Photo Genesis 2</em>. Until February 24. Artist talk February 7, 11:00 am. Tea and Talk February 18, 11:00 am. More information <a href="https://mpaart.org/exhibitions/current-exhibitions/" target="_blank" rel="noreferrer noopener">here.</a><br><br><em>Before the Americas</em>, an exhibition curated by <strong>Cheryl Edwards</strong>, will travel to the University of Maryland Global Campus art gallery. February 15 &#8211; May 11. Opening reception February 15, 3:00 pm.<br><br><strong>Cianne Fragione&#8217;s </strong>painting <em>Mare Ionian (Afternoon Light)</em> has been acquired by the Dallas Museum of Art. <br><br><strong>Helen Frederick</strong> and <strong>Randi Reiss-McCormack</strong> have work in the Longwood Center for the Visual Arts (Farmville, VA) exhibition <em>CHASM: Intuition, Risk, and Certainty</em>. Until February 1.<br><br><strong>Susan Goldman</strong> has a solo exhibition of her work at Galerie Myrtis (Baltimore). Until January 10. <br><br><strong>Mary Welch Higgins </strong>jurored and curated the Studio Gallery (DC) exhibition <em>In the Spirit of Community: Ceramics in Greenbelt, MD. </em>Until January 24.<br><br><strong>linn meyers</strong> will have work on view at the Georgetown University gallery exhibition <em>Speculative Morphologies</em>. January 23 &#8211; May 17.<br><br><strong>Soledad Salamé&#8217;s</strong> exhibition <em>Camouflage</em> is now at the Baffler Museum in Houston, TX. Until March 7.<br><br><strong>Joyce Wellman</strong> has a work on view in the Phillips Collection exhibition <em>Out of Many: Re-Framing an American Art Collection.</em> Until February 15.</p>



<h2 class="wp-block-heading">Gallery Member News</h2>



<p><strong>Adah Rose Gallery</strong> <em>Marsha Goldberg and Nathan Mullins: A Small Moment of Amazement. </em>January 8 &#8211; February 20. Opening January 8, 5:30 pm &#8211; 7:30 pm. More information <a href="http://www.adahrosegallery.com/" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Addison/Ripley </strong><em>Isabel Manalo: Lament, </em>until January 17. Coffee and conversation January 17, 11:00 am.<br><br><strong>Gallery Neptune &amp; Brown</strong> <em>Treasures From the Vault: A Winter Auction. </em>Auction bidding period January 7 &#8211; 17.<br><br><strong>Hemphill</strong> <em>James Phillips: The Pattern Plays the Mind.</em> January 10 &#8211; February 7. Reception January 10, 2:00 pm &#8211; 5:00 pm.<br><br><strong>Morton Fine Art  </strong><em>Holiday Small Works Under $1,000 </em>(online). Until January 30. More information <a href="https://mortonfineart.com/show/morton-fine-art-holiday-small-works-1000-and-under" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>PFA Gallery DC Location </strong>(formerly Pazo Fine Art) <em>Dorothy Fratt: Explorations of Color.</em> January 10 &#8211; February 28. Reception January 10, 5:00 pm &#8211; 7:00 pm.<br><br><strong>Washington Printmakers Gallery </strong><br><br><em>Members Exhibition</em> until January 25. Featured artists include WPC members <strong>Susan Wooddell Campbell, Rosemary Cooley, Kristine DeNinno, Deborah Schindler, Leslie Rose,</strong> and <strong>Clare Winslow</strong>.<br><br><em>Moments / Memories &#8211; Intaglio Prints of William Demaria</em>. Until January 25.</p>



<h2 class="wp-block-heading">Save the Dates</h2>



<p><strong>February 19, 11:00 am</strong> &#8211; Presentation by curator LuLen Walker of artist books and portfolios, Special Collections Library of Georgetown University.<br><br><strong>February 22, 1:00 pm</strong> &#8211; tour with curator Laura Roulet of the Joan and Weber Collection, American Art Museum at the Katzen Center.<br></p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-january-6-2026/">Newsletter, January 6, 2026</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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		<title>Newsletter, December 6, 2025</title>
		<link>https://washingtonprintclub.org/news/newsletter-december-6-2025/</link>
		
		<dc:creator><![CDATA[WPC]]></dc:creator>
		<pubDate>Sat, 06 Dec 2025 18:22:53 +0000</pubDate>
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		<guid isPermaLink="false">https://washingtonprintclub.org/?p=7492</guid>

					<description><![CDATA[<p>Please Join us for a Curator-Led Tour of Deconstructing Nature: Environmental Transformation in the Lucas Collection.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-december-6-2025/">Newsletter, December 6, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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<h2 class="wp-block-heading">Please Join us for a Curator-Led Tour of D<em>econstructing Nature: Environmental Transformation in the Lucas Collection</em></h2>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="731" height="1024" src="https://washingtonprintclub.org/wp-content/uploads/Albert-Besnard-Crossing-the-Bridge-731x1024.webp" alt="Albert Besnard. Crossing the Bridge, c. 1885. Baltimore Museum of Art" class="wp-image-7480" srcset="https://washingtonprintclub.org/wp-content/uploads/Albert-Besnard-Crossing-the-Bridge-428x600.webp 428w, https://washingtonprintclub.org/wp-content/uploads/Albert-Besnard-Crossing-the-Bridge-731x1024.webp 731w, https://washingtonprintclub.org/wp-content/uploads/Albert-Besnard-Crossing-the-Bridge-768x1076.webp 768w, https://washingtonprintclub.org/wp-content/uploads/Albert-Besnard-Crossing-the-Bridge.webp 800w" sizes="auto, (max-width: 731px) 100vw, 731px" /><figcaption class="wp-element-caption">Albert Besnard. Crossing the Bridge, c. 1885. Baltimore Museum of Art, The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community. BMA1996.48.18813. Photo by Mitro Hood.</figcaption></figure>
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<p><strong>Baltimore Museum of Art<br>New Date:  Thursday, January 8, 11:00 am</strong></p>



<p>Please join Dr. Robin Owen Joyce for a tour of <em>Deconstructing Nature: Environmental Transformation in the Lucas Collection</em>. Dr. Joyce is the co-curator of <em>Deconstructing Nature</em> and the BMA&#8217;s Assistant Curator of Academic Engagement.<br><br>Turning to the moment when industrial capitalism first made indelible marks on the non-human world, this exhibition of nineteenth-century French works on paper investigates how artists both documented and contributed to the transformation of the environment into a resource to be hoarded or shared. Foregrounding the ecological issues at stake in these works opens up new ways of understanding extractive relationships among people, including imperialism and capitalism. The presentation is drawn from the George A. Lucas Collection, a cornerstone of the Baltimore Museum of Art’s collection of works on paper. <br><br>While at the BMA, participants may want to visit the Amy Sherald exhibition, <em>American Sublime.</em> <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=40af2fe633&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">Please note that tickets are necessary for this exhibition.</a><br><br>Attendance is limited to 25 WPC members and their guests. <strong>Please use the blue button below to RSVP by December 15.</strong></p>



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<div class="wp-block-button"><a class="wp-block-button__link button wp-element-button" href="mailto:beverlywith@gmail.com" target="_blank" rel="noreferrer noopener">Click here to RSVP for the January 8 BMA Program</a></div>
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<h2 class="wp-block-heading">Member News</h2>



<p><strong>Many WPC Members</strong> are participating in the multi-site <em>Women Artists of the DMV</em> exhibition. <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=5c228d8001&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">Please click here for information.</a> <br><br><strong>Julia Bloom</strong> has work in a group show at the Columbia University Rare Book &amp; Manuscript Library, <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=1ead3fe499&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener"><em>Context: Art, Books &amp; Freedom</em>.</a> Until May, 2026. <br><br><strong>Adjoa Burrowes&#8217;</strong> exhibition <em>Earth Sanctuary</em> is at Hillyer Arts Center until December 28. Artists&#8217; talk December 18 at 3:00 pm.<br><br><em>Material Acts of Resistance: <strong>Michèle Colburn</strong></em> is on view at George Mason University Founder&#8217;s Gallery at Mason Square until February 5. Michèle also has work on view in <em>Art Now 2025</em> at the DC Commission on the Arts (until December 12) and <em>DIY</em> at DC&#8217;s Martin Luther King Library (until December 7).<br><br><strong>Rosemary Covey</strong> has work in the exhibition <em>Holding Together</em> at the Alliance Gallery in Arlington. Until January 11.<br><br><strong>Catherine Day</strong> is exhibiting her work in the exhibition <em>Subtle Energies,</em> Fred Schnider Gallery, until December 27. Artist talk December 6, 4:00 &#8211; 6:00 pm. Closing reception December 27, 5:00 &#8211; 7:00 pm. Catherine also has work at McLean Project for the Arts&#8217; exhibition <em>Photo Genesis 2</em>. Until February 24. <br><br><strong>Helen Frederick</strong> and <strong>Randi Reiss-McCormack</strong> have work in the Longwood Center for the Visual Arts (Farmville, VA) exhibition <em>CHASM: Intuition, Risk, and Certainty</em>. Until February 1, 2026.<br><br><strong>Susan Goldman</strong> has a solo exhibition of her work at Galerie Myrtis (Baltimore). Until January 10. Susan&#8217;s conversation with Myrtis Bedolla on December 14 is sold out.<br><br><strong>Mira Hecht</strong> is showing her work at the ADA Art Gallery until December 18. More information about the ADA Gallery <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=a75c1c824e&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">here.</a><br><br><strong>Susan Hostetler </strong>has a show at Zach Gallery (Easton, MD) until January 3.<br><br><strong>Robert Hunter</strong> has work in the <em>12th Annual Small Works Exhibition</em>, Main Street Gallery, Clifton Springs, NY. Until December 20. Robert also has works in <em>Small Wonders</em>, Maryland Federal of Art, Annapolis, MD. Until December 21.<br><br><strong>Amber Robles-Gordon </strong>has work featured in the University of Maryland&#8217;s Driskoll Center exhibition <em>Solace and Sisterhood</em>. Until December 5. More information <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=6fafb489ae&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">here.</a> In addition, Amber has work in the University of Minnesota&#8217;s Katherine Nash Gallery exhibition <em>21st Century Art of Puerto Rico and its Diaspora</em>. Until December 6. <br><br><strong>Susan Due Pearcy&#8217;s</strong> Sugarloaf Studio will be participating in the Countryside Artisans&#8217; open studios, December 5 &#8211; 7. More information <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=f46cfcdced&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Soledad Salamé&#8217;s</strong> exhibition <em>Camouflage</em> is now at the Baffler Museum in Houston, TX. Until March 7, 2026.<br><br><strong>Anne Smith</strong> will be participating in Otis Street Art Project&#8217;s open house, December 13, 12:00 &#8211; 5:00 pm. 3702 Otis St., Mt. Rainier, MD.<br><br><strong>Eve Stockton&#8217;s</strong> exhibition of woodcut prints, <em>Field Notes</em>, is on view at the Children&#8217;s National Hospital through January, 2026.<br></p>



<h2 class="wp-block-heading">Gallery Member News</h2>



<p><strong>Adah Rose Gallery</strong> <em>Still Life/Nature Morte</em>, Until December 14. Featured artists include <strong>Elzbieta Sikorska</strong> and <strong>Anne Smith</strong>. More information <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=09d20bc173&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">here.</a><br><br><strong>Addison/Ripley </strong><em>Isabel Manolo: Lament. </em>Until January 17. Coffee and conversation with the artist January 11, 11:00 am.<br><br><strong>Gallery Neptune &amp; Brown</strong> <em>Mark Dassoulas: Equilibrium</em>. Until December 6. E-catalog available <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=c72c9335a3&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Hemphill</strong> <em>Black, White, and &#8230; </em>Works by William Christenberry, Tim Doud, Thomas Downing, Richard Hunt, Jacob Kainen, Mark Kellner, Robert Novel, Paul Reed, Anne Rowland, and Amy Schissel. Until December 20.<br><br><strong>Morton Fine Art  </strong>New Drawings by Michael Andrew Booker. Until December 13. <br><br><strong>PFA Gallery DC Location </strong>(formerly Pazo Fine Art) <em>Operating System</em>, with work by Jeremy Flick, Paola Oxoa, Alex Puz, and Michael Scott. Until December 20. <br><br><strong>Pyramid Atlantic </strong><em>10 X 10 Invitational</em>. Until January 5. Participating artists include <strong>Adjoa J. Burrowes, Susan Wooddell Campbell, Kristine DeNinno, Cheryl Edwards, Helen Frederick, Jenny Freestone, Mary Welch Higgins, Pauline Jakobsberg, Alice Kresse, June Linowitz, Cory Oberndorfer, Susan Due Pearcy, Randi Reiss-McCormack, Gail Shaw-Clemons, Elzbieta Sikorska, Terry Svat, Ellen Verdon Winkler, Max-Karl Winkler,</strong> and <strong>Clare Winslow.</strong><br><br><strong>Washington Printmakers Gallery </strong><em>Winter Salon,</em> until December 28. Featured artists include WPC members <strong>Susan Wooddell Campbell, Rosemary Cooley, Kristine DeNinno, Deborah Schindler, Leslie Rose,</strong> and <strong>Clare Winslow</strong>.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-december-6-2025/">Newsletter, December 6, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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		<title>Newsletter, December 1, 2025</title>
		<link>https://washingtonprintclub.org/news/newsletter-december-1st-2025/</link>
		
		<dc:creator><![CDATA[WPC]]></dc:creator>
		<pubDate>Mon, 01 Dec 2025 16:54:33 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<guid isPermaLink="false">https://washingtonprintclub.org/?p=7476</guid>

					<description><![CDATA[<p>Upcoming Tours:  Anonymous Was a Woman With Curator Vesela Sretenović, and a Curator-Led Tour of Deconstructing Nature: Environmental Transformation in the Lucas Collection.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-december-1st-2025/">Newsletter, December 1, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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<h2 class="wp-block-heading">Please Join Us For a Tour of <em>Anonymous Was a Woman</em> With Curator Vesela Sretenović</h2>



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<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="800" height="524" src="https://washingtonprintclub.org/wp-content/uploads/installation-view-anonymous-was-a-woman.webp" alt="Installation view of Anonymous Was a Woman. Photo by Vivian Marie Doering" class="wp-image-7477" srcset="https://washingtonprintclub.org/wp-content/uploads/installation-view-anonymous-was-a-woman-600x393.webp 600w, https://washingtonprintclub.org/wp-content/uploads/installation-view-anonymous-was-a-woman-768x503.webp 768w, https://washingtonprintclub.org/wp-content/uploads/installation-view-anonymous-was-a-woman.webp 800w" sizes="auto, (max-width: 800px) 100vw, 800px" /><figcaption class="wp-element-caption">Photo by Vivian Marie Doering</figcaption></figure>



<p><strong>Kreeger Museum <br>Wednesday, December 10, 3:00 pm </strong><br>Curator-led tour of <em>Anonymous Was a Woman:</em> <em>Jae Ko | linn meyers | Joyce J. Scott | Renée Stout.</em></p>



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<div class="wp-block-button"><a class="wp-block-button__link button wp-element-button" href="mailto:beverlywith@gmail.com" target="_blank" rel="noreferrer noopener">Click here to RSVP for the Kreeger Museum Tour</a></div>
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<p>Curated by WPC member Vesela Sretenović,&nbsp;<em>Anonymous Was a Woman: Jae Ko | linn meyers | Joyce J. Scott | Renée Stout</em>&nbsp;dovetails with the recent group exhibition <em>Anonymous Was a Woman: The First 25 Years</em>&nbsp;organized by and presented at the New York University’s Grey Art Museum and co-curated by Nancy Princenthal and Vesela Sretenović.</p>



<p>The Grey exhibition celebrated the first quarter-century of the Anonymous Was a Woman (AWAW) grant program. Established in 1996 by philanthropist and artist Susan Unterberg, the program is dedicated to supporting mid-career women artists living and working in the United States. Its name refers to a phrase in Virginia Woolf’s essay&nbsp;<em>A Room of One’s Own</em>, which underscores the challenges that creative women have historically faced in a male-dominated society.&nbsp;</p>



<p>The Kreeger Museum’s exhibition focuses exclusively on four AWAW recipients who reside and work in the Washington, DC metropolitan area. The Kreeger Museum’s presentation spotlights the most recent work of its participating artists, picking up where the Grey show left off.</p>



<p>The Kreeger Museum’s exhibition not only celebrates artists based in the DMV area —aligning with the Museum’s mission—but also extends the reach of the AWAW program beyond New York City, further disseminating its mission to support and bring greater visibility to the creative output of women artists.<br><br>More information about the Kreeger exhibition can be found <a href="https://www.kreegermuseum.org/exhibitions/view/current" target="_blank" rel="noreferrer noopener">here.</a>&nbsp;<br>Attendance is limited to 20 WPC members and their guests. <strong>Please RSVP by December 5.</strong><br><br>Onsite parking is limited. Carpooling and ride share is encouraged. <strong>Please note that WPC program participants will be charged museum admission ($15 or $10 for seniors). There will be no charge for WPC members who are also members of the Kreeger Museum. Please bring proof of your Kreeger Membership.</strong></p>
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<h2 class="wp-block-heading">Please Join us for a Curator-Led Tour of <em>Deconstructing Nature: Environmental Transformation in the Lucas Collection</em></h2>



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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="731" height="1024" src="https://washingtonprintclub.org/wp-content/uploads/Albert-Besnard-Crossing-the-Bridge-731x1024.webp" alt="Albert Besnard. Crossing the Bridge, c. 1885." class="wp-image-7480" srcset="https://washingtonprintclub.org/wp-content/uploads/Albert-Besnard-Crossing-the-Bridge-428x600.webp 428w, https://washingtonprintclub.org/wp-content/uploads/Albert-Besnard-Crossing-the-Bridge-731x1024.webp 731w, https://washingtonprintclub.org/wp-content/uploads/Albert-Besnard-Crossing-the-Bridge-768x1076.webp 768w, https://washingtonprintclub.org/wp-content/uploads/Albert-Besnard-Crossing-the-Bridge.webp 800w" sizes="auto, (max-width: 731px) 100vw, 731px" /><figcaption class="wp-element-caption">Albert Besnard. Crossing the Bridge, c. 1885. Baltimore Museum of Art, The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community. BMA1996.48.18813. Photo by Mitro Hood.</figcaption></figure>
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<p><strong>Baltimore Museum of Art<br>Thursday, January 8, 11:00 am</strong></p>



<p>Please join Dr. Robin Owen Joyce for a tour of&nbsp;<em>Deconstructing Nature: Environmental Transformation in the Lucas Collection</em>. Dr. Joyce is the co-curator of&nbsp;<em>Deconstructing Nature</em>&nbsp;and the BMA&#8217;s Assistant Curator of Academic Engagement.<br><br>Turning to the moment when industrial capitalism first made indelible marks on the non-human world, this exhibition of nineteenth-century French works on paper investigates how artists both documented and contributed to the transformation of the environment into a resource to be hoarded or shared.&nbsp;Foregrounding the ecological issues at stake in these works opens up new ways of understanding extractive relationships among people, including imperialism and capitalism.&nbsp;The presentation is drawn from the George A. Lucas Collection, a cornerstone of the Baltimore Museum of Art’s collection of works on paper.&nbsp;<br><br>Attendance is limited to 25 WPC members and their guests. <br><strong>Please RSVP by December 15.</strong></p>



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<div class="wp-block-button"><a class="wp-block-button__link button wp-element-button" href="mailto:beverlywith@gmail.com">Click here to RSVP for the January 8 BMA Program</a></div>
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<h2 class="wp-block-heading">Member News</h2>



<p><strong>Many WPC Members</strong> are participating in the multi-site <em>Women Artists of the DMV</em> exhibition. <a href="https://mcusercontent.com/cf4da0f772899d4b8b06dd8f3/files/c43ddd30-c5bd-bf02-105c-2d0103d3d0c6/Women_Artists_of_the_DMV.docx" target="_blank" rel="noreferrer noopener">Please click here for information.</a> <br><br><strong>Julia Bloom</strong> has work in a group show at the Columbia University Rare Book &amp; Manuscript Library, <a href="https://www.meghitchcock.com/context-at-columbia-university" target="_blank" rel="noreferrer noopener"><em>Context: Art, Books &amp; Freedom</em>.</a> Until May, 2026. <br><br><strong>Adjoa Burrowes&#8217;</strong> exhibition <em>Earth Sanctuary</em> will open at Hillyer Arts Center on December 5 with a reception at 6:00 pm. Artists&#8217; talk December 18 at 3:00 pm.<br><br><em>Material Acts of Resistance: <strong>Michèle Colburn</strong></em> is on view at George Mason University Founder&#8217;s Gallery at Mason Square until February 5. Michèle also has work on view in <em>Art Now 2025</em> at the DC Commission on the Arts (until December 12) and <em>DIY</em> at DC&#8217;s Martin Luther King Library (until December 7).<br><br><strong>Rosemary Covey</strong> will have work in the exhibition <em>Holding Together</em> at the Alliance Gallery in Arlington. Opening reception December 4, 5:00 &#8211; 7:00 pm.<br><br><strong>Catherine Day</strong> is exhibiting her work in the exhibition <em>Subtle Energies,</em> Fred Schnider Gallery, until December 27. Artist talk December 6, 4:00 &#8211; 6:00 pm. Closing reception December 27, 5:00 &#8211; 7:00 pm. Catherine also has work at McLean Project for the Arts&#8217; exhibition <em>Photo Genesis 2</em>. Until February 24. <br><br><strong>Helen Frederick</strong> and <strong>Randi Reiss-McCormack</strong> have work in the Longwood Center for the Visual Arts (Farmville, VA) exhibition <em>CHASM: Intuition, Risk, and Certainty</em>. Until February 1, 2026.<br><br><strong>Susan Goldman</strong> has a solo exhibition of her work at Galerie Myrtis (Baltimore). Until January 10. Susan will be in conversation with Myrtis Bedolla on December 6, 2:00 pm and again on December 14, 2:00 pm. The latter will be a discussion about artist Sam Gilliam.<br><br><strong>Mira Hecht</strong> is showing her work at the ADA Art Gallery until December 18. More information about the ADA Gallery <a href="https://adawdc.org/en/page/13/culture" target="_blank" rel="noreferrer noopener">here.</a><br><br><strong>Robert Hunter</strong> has work in the <em>12th Annual Small Works Exhibition</em>, Main Street Gallery, Clifton Springs, NY. Until December 20. Robert also has works in <em>Small Wonders</em>, Maryland Federal of Art, Annapolis, MD. Until December 21. Opening reception December 4, 6:00 &#8211; 8:00 pm.<br><br><strong>Amber Robles-Gordon </strong>has work featured in the University of Maryland&#8217;s Driskoll Center exhibition <em>Solace and Sisterhood</em>. Until December 5. More information <a href="https://driskellcenter.umd.edu/events/solace-sisterhood-exhibition" target="_blank" rel="noreferrer noopener">here.</a> In addition, Amber has work in the University of Minnesota&#8217;s Katherine Nash Gallery exhibition <em>21st Century Art of Puerto Rico and its Diaspora</em>. Until December 6. <br><br><strong>Susan Due Pearcy&#8217;s</strong> Sugarloaf Studio will be participating in the Countryside Artisans&#8217; open studios, December 5 &#8211; 7. More information <a href="https://www.countrysideartisans.com/" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Soledad Salamé&#8217;s</strong> exhibition <em>Camouflage</em> is now at the Baffler Museum in Houston, TX. Until March 7, 2026.<br><br><strong>Anne Smith</strong> will be participating in Otis Street Art Project&#8217;s open house, December 13, 12:00 &#8211; 5:00 pm. 3702 Otis St., Mt. Rainier, MD.<br><br><strong>Eve Stockton&#8217;s</strong> exhibition of woodcut prints, <em>Field Notes</em>, is on view at the Children&#8217;s National Hospital through January, 2026.</p>





<h2 class="wp-block-heading">Gallery Member News</h2>



<p><strong>Adah Rose Gallery</strong>&nbsp;<em>Still Life/Nature Morte</em>, Until December 14. Featured artists include <strong>Elzbieta Sikorska</strong>&nbsp;and <strong>Anne Smith</strong>. More information <a href="http://www.adahrosegallery.com/" target="_blank" rel="noreferrer noopener">here.</a><br><br><strong>Addison/Ripley&nbsp;</strong><em>Isabel Manolo: Lament. </em>Until January 17. Coffee and conversation with the artist January 11, 11:00 am.<br><br><strong>Gallery Neptune &amp; Brown</strong>&nbsp;<em>Mark Dassoulas: Equilibrium</em>. Until December 6. E-catalog available <a href="https://view.publitas.com/gallery-neptune-brown/mark-dassoulas-equilibrium-e-catalogue/page/1" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Hemphill</strong>&nbsp;<em>Black, White, and &#8230; </em>Works by William Christenberry, Tim Doud, Thomas Downing, Richard Hunt, Jacob Kainen, Mark Kellner, Robert Novel, Paul Reed, Anne Rowland, and Amy Schissel. Until December 20.<br><br><strong>Morton Fine Art&nbsp;&nbsp;</strong>New Drawings by Michael Andrew Booker. Until December 13.&nbsp;<br><br><strong>PFA Gallery DC Location&nbsp;</strong>(formerly Pazo Fine Art)&nbsp;<em>Operating System</em>, with work by Jeremy Flick, Paola Oxoa, Alex Puz, and Michael Scott. Until December 20.&nbsp;<br><br><strong>Pyramid Atlantic </strong><em>10 X 10 Invitational</em>. Until January 5. Participating artists include&nbsp;<strong>Adjoa J. Burrowes,&nbsp;Susan Wooddell Campbell, Kristine DeNinno, Cheryl Edwards,&nbsp;Helen Frederick, Jenny Freestone, Mary Welch Higgins, Pauline Jakobsberg, Alice Kresse, June Linowitz,&nbsp;Cory Oberndorfer,&nbsp;Susan Due Pearcy,&nbsp;Randi Reiss-McCormack,&nbsp;Gail Shaw-Clemons,&nbsp;Elzbieta Sikorska,&nbsp;Terry Svat,&nbsp;Ellen Verdon Winkler,&nbsp;Max-Karl Winkler,</strong> and <strong>Clare Winslow.</strong><br><br><strong>Washington Printmakers Gallery&nbsp;</strong><em>Winter Salon,</em>&nbsp;until December 28. Featured artists include WPC members <strong>Susan Wooddell Campbell,&nbsp;Rosemary Cooley,&nbsp;Kristine DeNinno, Deborah Schindler, Leslie Rose,</strong> and <strong>Clare Winslow</strong>.</p>


<p>The post <a href="https://washingtonprintclub.org/news/newsletter-december-1st-2025/">Newsletter, December 1, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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		<title>Newsletter, September 25, 2025</title>
		<link>https://washingtonprintclub.org/news/newsletter-september-25th-2025/</link>
		
		<dc:creator><![CDATA[WPC]]></dc:creator>
		<pubDate>Thu, 25 Sep 2025 17:18:00 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<guid isPermaLink="false">https://washingtonprintclub.org/?p=7434</guid>

					<description><![CDATA[<p>Visits to the artist studios of Julia Bloom and Caitlin Teal Price.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-september-25th-2025/">Newsletter, September 25, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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<h2 class="wp-block-heading">Please Join Us for a Visit to the Studio of Artist Julia Bloom</h2>



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<p><strong>Saturday, October 11, 11:00 am</strong></p>



<p>Please join us for a visit to the Northeast Washington, DC studio of artist Julia Bloom on Saturday, October 11 at 11:00 am.</p>



<p>Julia shares, &#8220;My typewriter drawings contain my most private thoughts and obsessions. I start a drawing by typing uncensored stream-of-consciousness diary entries in the style of Surrealist automatic writing on Japanese, Nepalese, and other papers, using old typewriters. I type over the same page several times, documenting my reflections, dreams, to-do lists, current events, and overheard conversations, as well as my worries, anxieties, and epiphanies, over and in between my original typed lines of text. These layers of typing form patterns, creating tension between legibility and illegibility. I draw bold shapes in charcoal, graphite, and other materials on this layered text, further obscuring my words. These areas of blocked out text are my nod to the redactions commonly used in official documents to protect privacy, but they are also a quiet stillness within the cacophony of my thoughts.&#8221;</p>



<p>Registration is open to15 WPC members and their guests. Members may register for themselves and one guest. Please RSVP by October 1.</p>



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<div class="wp-block-button"><a class="wp-block-button__link button wp-element-button" href="mailto:beverlywith@gmail.com" target="_blank" rel="noreferrer noopener">RSVP for the Julia Bloom Studio Visit »</a></div>
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<figure class="wp-block-image size-full"><a href="https://washingtonprintclub.org/wp-content/uploads/julia-bloom-may-3-4.webp"><img loading="lazy" decoding="async" width="2100" height="1740" src="https://washingtonprintclub.org/wp-content/uploads/julia-bloom-may-3-4.webp" alt="Julia Bloom, May 3-4 2022" class="wp-image-7435" srcset="https://washingtonprintclub.org/wp-content/uploads/julia-bloom-may-3-4-600x497.webp 600w, https://washingtonprintclub.org/wp-content/uploads/julia-bloom-may-3-4-768x636.webp 768w, https://washingtonprintclub.org/wp-content/uploads/julia-bloom-may-3-4-1200x994.webp 1200w, https://washingtonprintclub.org/wp-content/uploads/julia-bloom-may-3-4-1536x1273.webp 1536w, https://washingtonprintclub.org/wp-content/uploads/julia-bloom-may-3-4-2048x1697.webp 2048w, https://washingtonprintclub.org/wp-content/uploads/julia-bloom-may-3-4.webp 2100w" sizes="auto, (max-width: 2100px) 100vw, 2100px" /></a><figcaption class="wp-element-caption">Julia Bloom, <em>May 3-4 2022</em>, <br>Charcoal and graphite on typed diary entry, Kitikata paper, 17 x 21 inches</figcaption></figure>
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<h2 class="wp-block-heading">Please Join Us For a Visit to the Home Studio of Artist Caitlin Teal Price</h2>



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<p><strong>Saturday, October 25, 11:00 am</strong></p>



<p>Please join us for a visit to the home studio of artist Caitlin Teal Price, Saturday, October 25 at 11:00 am. Caitlin&#8217;s studio is on the third floor of her historic home, which is located on the campus of the Old Soldiers&#8217; Home in Northwest, DC.</p>



<p>Rooted in a background in photography, Caitlin now combines photography, drawing, and painting to create unique works on paper. Her practice transforms fleeting moments of light into abstracted, imagined landscapes that explore the space between the everyday and the otherworldly.<br>Registration is limited to 15 WPC members and their guests. Members may register for themselves and one guest. Please RSVP by October 15 .</p>



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<div class="wp-block-button"><a class="wp-block-button__link button wp-element-button" href="mailto:beverlywith@gmail.com" target="_blank" rel="noreferrer noopener">RSVP for the Caitlin Teal Price Studio Visit »</a></div>
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<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="650" height="778" src="https://washingtonprintclub.org/wp-content/uploads/caitlin-teal-price-after-the-horizon-3.webp" alt="Caitlin Teal Price, After the Horizon #3" class="wp-image-7438" srcset="https://washingtonprintclub.org/wp-content/uploads/caitlin-teal-price-after-the-horizon-3-501x600.webp 501w, https://washingtonprintclub.org/wp-content/uploads/caitlin-teal-price-after-the-horizon-3.webp 650w" sizes="auto, (max-width: 650px) 100vw, 650px" /><figcaption class="wp-element-caption">Caitlin Teal Price, After the Horizon #3, X- acto blade etching, gouache, colored pencil and light on hahnemuhle rag paper. 20&#215;24 inches, 2025 </figcaption></figure>
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<h2 class="wp-block-heading has-text-align-center">Member News</h2>



<p><strong>Many WPC Members</strong> are participating in the multi-site <em>Women Artists of the DMV</em> exhibition. <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=a22c07bc59&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">Please click here for information.</a><br><br><strong>Julia Bloom</strong> has work in a group show at the Columbia University Rare Book &amp; Manuscript Library, <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=3ce215c993&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener"><em>Context: Art, Books &amp; Freedom</em>.</a> Until May, 2026. Until October 9, Julia&#8217;s work will be exhibited in the Harper College juried small works exhibition, Palatine, IL.<br><br><strong>Anna Child</strong> had work in the exhibition <em>On Landscape</em> at the recently closed Detroit Art and Design Fair.<br><br><strong>Steven Clay</strong> has announced that he has become an accredited member of the Appraisers Association of America, specializing in postwar, contemporary, and emerging art.&nbsp;<br><br><strong>Michèle Colburn</strong> will be hosting the exhibition <em>The Flower Power Redux</em> at her home and studio, opening October 4, 6:00 &#8211; 10:pm. The exhibition will include work by WPC member <strong>Mary Higgins.</strong>&nbsp;<a href="mailto:mbcolburn2016@gmail.com" target="_blank" rel="noreferrer noopener">Please contact Michèle for further information.</a>&nbsp;&nbsp;<br><br><strong>Cheryl Edwards</strong> is curating the exhibition <em>Before the Americas</em>&nbsp;at George Mason University, until November 15. Symposium open to the public, October 4, 12:30 &#8211; 6:30. More information and RSVP information&nbsp;<a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=3196ee0c1f&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Cianne Fragione</strong> and <strong>Morton Fine Art </strong>will be participating in the 52 O Street (NW, DC) open house. October 24, 12:00 &#8211; 4:00 pm.<br><br><strong>Helen Frederick</strong> and <strong>Randi Reiss-McCormack</strong> have work in the Longwood Center for the Visual Arts (Farmville, VA) exhibition <em>CHASM: Intuition, Risk, and Certainty</em>. Until February 1, 2026.<br><br><strong>Susan Goldman&#8217;s</strong> will have a solo exhibition of her work at Galerie Myrtis (Baltimore), November 8 &#8211; January 10. Artists&#8217; panel November 15, 2:00 pm. Susan and Myrtis Bedolla in conversation December 6, 2:00 pm.<br><br><strong>Mira Hecht</strong> will be showing her work at the ADA Art Gallery October 3 &#8211; December 18. More information about the ADA Gallery <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=22b2b2f7b9&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">here.</a><br><br><strong>Susan Hostetler</strong> is participating in the exhibition <em>Dialogue of Clouds</em> at Jo Fleming Contemporary Art, Annapolis, MD, until October 25.&nbsp;<br><br><strong>Shelley Langdale</strong> is co-curator (along with Kanitra Fletcher) of&nbsp;<strong><em>With Passion and Purpose: Gifts from the Collection of Larry D. and Brenda A. Thompson</em></strong>, National Gallery of Art. Until October 5.&nbsp;The exhibition includes work by WPC member <strong>Joyce Wellman</strong>. More information <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=5d0180022b&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>linn meyers</strong> has been awarded both a year-long Sharpe-Walentas Studio Program residency and a Yaddo residency. linn will also be creating new works on paper at the Tamarind Institute and with the Ballet Collective. linn&#8217;s work is included in&nbsp;<em>Luminous Forms</em> at the Ucross Art Gallery, Clearmont, WY. Until January 10, 2026 she will have work in two upcoming shows<em>:&nbsp;Imperfectionism</em>, opening October 17 at the Wonzimer Gallery in Los Angeles and <em>Anonymous Was a Woman</em> at the Kreeger Museum, October 16 &#8211; December 31.<br><br><strong>Dennis Lee Mitchell</strong> has work in the exhibition <em>Blaze, Smoulder, Char</em>, <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=0a0b58e8e3&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">Sohn Fine Art,</a> Lenox MA. Until October 6.<br><br><strong>Susan Pearcy</strong>&nbsp;will host an open studio in conjunction with the <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=6b9a9a6b52&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">Countryside Artisans Fall Tour</a>, October 3 &#8211; 5.&nbsp;Susan had two pastels selected for the national juried exhibition&nbsp;<em>Shades of Pastel 2025</em>, Glenview Mansion Art Gallery, Rockville, MD. October 12 &#8211; November 26. Reception October 12, 1:30 &#8211; 3:30 pm.<br><br><strong>Charles Ritchie</strong>&nbsp;will participate in <em>Stay Frosty</em>, a group installation organized by BravinLee programs, October 24 &#8211; 26.<br><br><strong>Amber Robles-Gordon</strong> will have her work featured in the University of Maryland&#8217;s Driskoll Center exhibition <em>Solace and Sisterhood</em>, until December 5. More information <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=2e5bb0c96b&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">here.</a>&nbsp;In addition, Amber has work in the University of Minnesota&#8217;s Katherine Nash Gallery exhibition <em>21st Century Art of Puerto Rico and its Diaspora</em>. Until December 6.<br><br><strong>Soledad Salamé </strong>had work at the Bogota Agora Art Fair (ARTBO), which ran from September 25 &#8211; 28.<br><br><strong>Eve Stockton&#8217;s</strong> exhibition of woodcut prints, <em>Field Notes</em>, is on view at the Children&#8217;s National Hospital through January, 2026.<br><br><strong>Vesela Stretenović</strong>&nbsp;is curator of&nbsp;<em>Anonymous Was a Woman</em>, upcoming at the Kreeger Museum, October 16 &#8211; December 31. Artists will include Jae Ko, <strong>linn meyers</strong>, Joyce J. Scott, and Renée Stout. More information <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=790740d6b9&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Joyce Wellman</strong>&nbsp;has work in the National Gallery of Art exhibition <em>With Passion and Purpose</em>, until October 5.<br><br><strong>Julie Wolfe</strong> will be signing her latest book, <em>Apophenia Vol. 2: Exquisite Corpse</em>, at <strong>HEMPHILL</strong> on October 11. (Time TBD.)</p>



<h2 class="wp-block-heading has-text-align-center">Gallery Member News</h2>



<p><strong>Adah Rose Gallery</strong> (Rockvillelocation) is one of the venues for the multi-site <em>Women of the DMV</em> exhibition, Until September 29.&nbsp;<br><br><strong>Addison/Ripley</strong>Christopher Baer, until October 18.&nbsp;<br><br><strong>Gallery Neptune &amp; Brown</strong><em>Vincent Ricardel: Chasing Light,</em>&nbsp;Until October 18.&nbsp; Online catalog available <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=4ef309b80f&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>HEMPHILL</strong> <em>Melvin L. Nesbitt, Jr. Your Lil Friends, </em>until October 25.<br><br><strong>Morton Fine Art&nbsp;&nbsp;</strong><em>Three Seasons</em>, an exhibition of the work of Meron Engida Hawke. Until October 21.<br><br><strong>Pazo Fine Art</strong>&nbsp;(DC location) Joanne Kent and Richard Tinkler, until November 1. More information <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=f0237850b6&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Pyramid Atlantic&nbsp;</strong><em>Women Artists of the DMV</em>, including WPC members <strong>Kristine Deninno, Jenny Freestone, Pauline Jakobsberg, Carol Reed,Terry Svat,</strong> and <strong>Ellen Winkler</strong>. Until November 2.<br><br><strong>Washington Printmakers Gallery </strong>is hosting <em>Now and Then</em>, an exhibition celebrating of the Gallery&#8217;s 40 years. Until September 30. WPC member artists include <strong>Susan Wooddell Campbell, Kristin Deninno, Pauline Jakobsberg, Susan Pearcy, Leslie Rose, Deborah Schindler, Norman Strike</strong>, and <strong>Terry Svat.</strong></p>



<h2 class="wp-block-heading">Of Interest</h2>



<p><strong><em>Brand X: Innovation in Screenprinting,</em></strong> Philadelphia Museum of Art, through November 16.<br><br><strong>Cut + Paste: Experimental Japanese Prints and Photographs</strong>, National Museum of Asian Art (Smithsonian), until November 30.<br><br><strong>IFPDA Print Month</strong> Online Programming. A extensive selection of online print-related programs are available in the coming weeks. <a href="https://washingtonprintclub.us17.list-manage.com/track/click?u=cf4da0f772899d4b8b06dd8f3&amp;id=3c5488ca55&amp;e=9e360409b7" target="_blank" rel="noreferrer noopener">Click here for further information.</a><br><br><strong><em>Little Beasts: Art, Wonder and the Natural World</em></strong>, National Gallery of Art. Until November 2.</p>



<h2 class="wp-block-heading has-text-align-center">Save the Dates</h2>



<p><strong>November 15</strong> &#8211; Visit to the studio of Anne C. Smith.<br><br><strong>November 21</strong> &#8211; Curator tour of <em>Cut+Paste: Experimental Japanese Prints and Photographs</em>, National Museum of Asian Art.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-september-25th-2025/">Newsletter, September 25, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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		<title>Newsletter, September 5, 2025</title>
		<link>https://washingtonprintclub.org/news/newsletter-september-5-2025/</link>
		
		<dc:creator><![CDATA[WPC]]></dc:creator>
		<pubDate>Sun, 07 Sep 2025 20:04:07 +0000</pubDate>
				<category><![CDATA[News]]></category>
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					<description><![CDATA[<p>Join us for September studio visits to artists Carol Barsha and Charles Ritchie &#038; Jenny Ritchie.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-september-5-2025/">Newsletter, September 5, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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<h2 class="wp-block-heading">Please Join Us for a Visit to the Studio of Artist Carol Barsha</h2>


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<p>Please join us for a visit to the Washington, DC studio of artist Carol Barsha on Saturday, September 20 at 11:00 am.</p>



<p>Carol shares with us that painting for her has consistently been a means to discover and reveal the beauty of the natural world. Her compositions are often quite personal, symbolic, and surreal with hidden meanings.</p>



<p>Carol has always been fascinated by the smallest details of flowers, birds, the gesture of an upturned leaf, movement of water, and has sought to master the spirals and sequences, colors and patterns inherent in them. Her process involves a layering of drawing and painting materials, as well as collaged remnants of her own work.</p>



<p>The artist works on paper because she loves its &#8220;touch&#8221; and because she relies on the white as an important element in the final painting. Carol seeks to create a never-been-seen-before world that she can discover and inhabit, creating a view of nature that inspires and transports.</p>



<p>Registration is open to15 WPC members and their guests. Members may register for themselves and one guest. <strong>Please RSVP by September 13.</strong></p>



<div class="wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex">
<div class="wp-block-button"><a class="wp-block-button__link button wp-element-button" href="mailto:beverlywith@gmail.com">RSVP for the Carol Barsha Studio Visit</a></div>
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<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="800" height="606" src="https://washingtonprintclub.org/wp-content/uploads/carol-barsha-odessa.jpeg" alt="Carol Barsha, Odessa, 2024, 38&quot; x 50&quot;" class="wp-image-7411" srcset="https://washingtonprintclub.org/wp-content/uploads/carol-barsha-odessa-600x455.jpeg 600w, https://washingtonprintclub.org/wp-content/uploads/carol-barsha-odessa-768x582.jpeg 768w, https://washingtonprintclub.org/wp-content/uploads/carol-barsha-odessa.jpeg 800w" sizes="auto, (max-width: 800px) 100vw, 800px" /><figcaption class="wp-element-caption">Carol Barsha, Odessa, 2024, 38&#8243; x 50&#8243;<br>Gouache, walnut ink, gold mica flakes, pastel and collaged paper on Stonehenge paper</figcaption></figure>

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<h2 class="wp-block-heading">Please Join Us For a Visit to the Home Studios of Charles Ritchie &amp; Jenny Ritchie</h2>



<p>Please join us for a visit to the Silver Spring, MD studios of artists Charles and Jenny Ritchie, Saturday, September 27, 11:00 am.<br><br>Over the past 40 years Jenny and Charlie’s art studio home has inspired Charlie’s drawings, intaglio prints, and more than 171 watercolor journals. Print proofs, mezzotint plates, in-progress drawings, and sketchbooks under construction attest to his process. Jenny’s creative invention is found throughout the house and has most recently has blossomed in Japanese Shibori – resist dyeing fabric with indigo – involving the intricate sewing and blocking of cloth in patterns. Jenny will present samples of the variations she has learned.</p>


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<figure class="aligncenter size-full is-resized"><img loading="lazy" decoding="async" width="600" height="898" src="https://washingtonprintclub.org/wp-content/uploads/charles-ritchie-next-room.jpg" alt="Charles Ritchie, Next Room" class="wp-image-7412" style="width:auto;height:870px" srcset="https://washingtonprintclub.org/wp-content/uploads/charles-ritchie-next-room-401x600.jpg 401w, https://washingtonprintclub.org/wp-content/uploads/charles-ritchie-next-room.jpg 600w" sizes="auto, (max-width: 600px) 100vw, 600px" /><figcaption class="wp-element-caption">Charles Ritchie, Next Room, 2023-2025, <br>watercolor, acrylic, graphite, and pen and ink on Fabriano paper, sheet: 6 1/8 x 4&#8243;</figcaption></figure>
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<figure class="aligncenter size-full is-resized"><img loading="lazy" decoding="async" width="577" height="898" src="https://washingtonprintclub.org/wp-content/uploads/jenny-ritchie-linked-circles.jpg" alt="Jenny Ritchie, Linked Circles (ori-nui)" class="wp-image-7413" style="width:auto;height:870px" srcset="https://washingtonprintclub.org/wp-content/uploads/jenny-ritchie-linked-circles-386x600.jpg 386w, https://washingtonprintclub.org/wp-content/uploads/jenny-ritchie-linked-circles.jpg 577w" sizes="auto, (max-width: 577px) 100vw, 577px" /><figcaption class="wp-element-caption">Jenny Ritchie, Linked Circles (ori-nui), 2024,<br>indigo on linen, cloth: 27 x 17 inches</figcaption></figure>
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<p>Jenny and Charlie have generously offered to open their home to 20 WPC members and their guests. Members may register for themselves and one guest. <strong>Please  RSVP by September 20.</strong></p>



<div class="wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex">
<div class="wp-block-button"><a class="wp-block-button__link button wp-element-button" href="beverlywith@gmail.com">RSVP for the Charles &amp; Jenny Ritchie Studio Visit</a></div>
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<h2 class="wp-block-heading">Member News</h2>



<p><strong>Many WPC Members</strong> are participating in the multi-site <em>Women Artists of the DMV</em> exhibition. <a href="https://mcusercontent.com/cf4da0f772899d4b8b06dd8f3/files/c43ddd30-c5bd-bf02-105c-2d0103d3d0c6/Women_Artists_of_the_DMV.docx" target="_blank" rel="noreferrer noopener">Please click here for information.</a><br><br><strong>Julia Bloom</strong> has work in the <em>Art Clinic Online</em> exhibition at Glen Echo&#8217;s Popcorn Gallery, until September 28, and will have work in a group show at the Columbia University Rare Book &amp; Manuscript Library, <a href="https://www.meghitchcock.com/context-at-columbia-university" target="_blank" rel="noreferrer noopener"><em>Context: Art, Books &amp; Freedom</em>.</a> Opening September 11. Until May, 2026. From September 25 &#8211; October 9, Julia&#8217;s work will be exhibited in the Harper College juried small works exhibition, Palatine, IL.<br><br><strong>Steven Clay</strong> has announced that he has become an accredited member of the Appraisers Association of America, specializing in postwar, contemporary, and emerging art. <br><br><strong>Michèle Colburn</strong> will be hosting the exhibition <em>The Flower Power Redux</em> at her home and studio, opening October 4, 6:00 &#8211; 10:pm. The exhibition will include work by WPC member <strong>Mary Higgins.</strong> <a href="mailto:mbcolburn2016@gmail.com" target="_blank" rel="noreferrer noopener">Please contact Michèle for further information.</a>  In addition, Michèle will have solo shows at the Arts Club of Washington and at the DC Art Center (DCAC) in 2026.<br><br><strong>Michéle Colburn, Delna Dastur</strong>, <strong>Cianne Fragione, Mira Hecht</strong>, <strong>Gail Shaw-Clemons, </strong>and<strong> Elzbieta Sikorska </strong>are DC Commission on the Arts and Humanities art bank finalists. Opening reception of the finalist exhibition September 11, 6:00 &#8211; 8:00 pm.<br><br><strong>Rosemary Feit Covey&#8217;s </strong>work <em>Red Handed &#8211; Sudan: Don&#8217;t Turn Away</em> was on display at the Chautauqua Institute in July. <br><br><strong>Jacqui Crocetta</strong>, <strong>Susan Hostetler,</strong> and <strong>Cheryl Edwards</strong> are participating in the exhibition <em>Order and Chaos</em>, which features work created with blind and vision-impaired persons in mind. 3307 M St., NW. Until September 27. Gallery hours Saturdays 2:00 &#8211; 5:00 pm and by appointment.<br><br><strong>Delna Dastur</strong> will have work on view at the Second Street Gallery (Charlottesville VA) exhibition <a href="https://www.secondstreetgallery.org/teeny-tiny-trifecta-8" target="_blank" rel="noreferrer noopener"><em>Teeny Tiny Trifecta</em></a>. Until September 26. In addition, Delna will be participating in the exhibition <em>Friends of</em> <em>USAN</em>, September 12 &#8211; 14, 737 7th St., NW. More information <a href="https://www.eventbrite.com/e/friends-of-usan-tickets-1592018603499?aff=oddtdtcreator" target="_blank" rel="noreferrer noopener">here.</a><br><br><strong>Susan Campbell, Kristine Deninno</strong>, <strong>Pauline Jakobsberg, Susan Pearcy, Leslie Rose, Deborah Schindler, Norman Strike</strong>, and <strong>Terry Svat</strong> will have work in the <strong>Washington Printmakers Gallery</strong> 40th anniversary exhibition, <em>Then and Now</em>, until September 28. (More info below in the &#8220;Gallery News&#8221; section.)<br><br><strong>Kristine Deninno </strong>has work in the Lancaster Art Vault (Lancaster, PA) exhibition, <em>Pop Impressions.</em> Until September 27.<br><br><strong>Cheryl Edwards</strong> is curating the exhibition <em>Before the Americas</em> at George Mason University, until November 15. More information <a href="https://www.masonexhibitions.org/exhibitions/before-the-americas" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Cianne Fragione</strong> and <strong>Morton Fine Art </strong>will be participating in the 52 O Street (NW, DC) open house. October 24, 12:00 &#8211; 4:00 pm.<br><br><strong>Helen Frederick</strong> and <strong>Randi Reiss-McCormack</strong> will have work in the Longwood Center for the Visual Arts (Farmville, VA) exhibition <em>CHASM: Intuition, Risk, and Certainty</em>. September 12 &#8211; February 2, 2026.<br><br><strong>Susan Goldman&#8217;s</strong> latest Printmaking Legacy Project documentary, <em>Portfolios: Lloyd Menard,</em> will screen at the Vortex Film Festival, Vermillion SD, September 26 &#8211; 28. Susan will have a solo exhibition of her work at Galerie Myrtis (Baltimore), November 8 &#8211; January 10. Artists&#8217; panel November 15, 2:00 pm. Susan and Myrtis Bedolla in conversation December 6, 2:00 pm.<br><br><strong>Mira Hecht</strong> will be showing her work at the ADA Art Gallery October 3 &#8211; December 18. More information about the ADA Gallery <a href="https://adawdc.org/en/page/13/culture" target="_blank" rel="noreferrer noopener">here.</a><br><br><strong>Susan Hostetler</strong> is participating in the exhibition <em>Dialogue of Clouds</em> at Jo Fleming Contemporary Art, Annapolis, MD, until October 25. Reception and artist talk September 13, 5:00 &#8211; 7:30 pm. <br><br><strong>Martha O. Land </strong>will be exhibiting her work during DC&#8217;s &#8220;Art all Night&#8221; festivities. Friday, September 12, 1531 Wisconsin Avenue, 5:30 &#8211; 10:00 pm.<br><br><strong>Shelley Langdale</strong> is co-curator (along with Kanitra Fletcher) of <strong><em>With Passion and Purpose: Gifts from the Collection of Larry D. and Brenda A. Thompson</em></strong>, National Gallery of Art. Until October 5. The exhibition includes work by WPC member <strong>Joyce Wellman</strong>. More information <a href="https://www.nga.gov/exhibitions/passion-and-purpose" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>linn meyers</strong> has been awarded both a year-long Sharpe-Walentas Studio Program residency and a Yaddo residency. linn will also be creating new works on paper at the Tamarind Institute and with the Ballet Collective. linn&#8217;s work is included in <em>Luminous Forms</em> at the Ucross Art Gallery, Clearmont, WY. Until January 10, 2026 she will have work in two upcoming shows<em>: Imperfectionism</em>, opening October 17 at the Wonzimer Gallery in Los Angeles and <em>Anonymous Was a Woman</em> at the Kreeger Museum, October 16 &#8211; December 31.<br><br><strong>Dennis Lee Mitchell</strong> has work in the exhibition <em>Blaze, Smoulder, Char</em>, <a href="https://www.sohnfineart.com/" target="_blank" rel="noreferrer noopener">Sohn Fine Art,</a> Lenox MA. Until October 6.<br><br><strong>Susan Pearcy</strong> will host an open studio in conjunction with the <a href="http:// www.countrysideartisans.com" target="_blank" rel="noreferrer noopener">Countryside Artisans Fall Tour</a>, October 3 &#8211; 5.<br><br><em><strong>Charles Ritchie</strong>: Drawing Place</em> was named &#8220;Best Documentary Short&#8221; at the LA International Cinema Awards, August 2025. The 10-minute feature debuted with the artist&#8217;s solo exhibition at BravinLee programs, NY last fall. It can be viewed online <a href="https://vimeo.com/1004168821?share=copy" target="_blank" rel="noreferrer noopener">here</a>. Charlie will participate in <em>Stay Frosty</em>, a group installation organized by BravinLee programs, October 24 &#8211; 26.<br><br><strong>Amber Robles-Gordon</strong> will have her work featured in the University of Maryland&#8217;s Driskoll Center exhibition <em>Solace and Sisterhood</em>, September 12 &#8211; December 5. More information <a href="https://driskellcenter.umd.edu/events/solace-sisterhood-exhibition" target="_blank" rel="noreferrer noopener">here.</a><br><br><strong>Soledad Salamé</strong> has work in the exhibition <em>Strong, Bright, Useful &amp; True</em> at the Frary Gallery, Johns Hopkins University Bloomberg Center (DC). Until September 6. The online catalog of that exhibition is available <a href="https://washingtondc.jhu.edu/arts-culture/irene-and-richard-frary-gallery/strong-bright-useful-and-true/#flipbook-strong-bright-useful-true-recent-acquisitions-and-contemporary-art-from-baltimore/1/" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Gail Shaw-Clemons </strong>has a print in the <em>Parkside National Print Exhibition</em> at the University of Wisconsin, Kenosha.<br><br><strong>Eve Stockton&#8217;s</strong> exhibition of woodcut prints, <em>Field Notes</em>, is on view at the Children&#8217;s National Hospital through January, 2026.<br><br><strong>Eve Stockton</strong> and <strong>Susan Goldman</strong> will be featured in an upcoming segment of <em>WETA Arts</em>. The episode will air September 8, 9:30 pm, September 9, 4:30 pm, September 21, 2:30 pm, September 22, 9:30 pm, and September 23, 4:30 pm.<br><br><strong>Vesela Stretenović</strong> is curator of <em>Anonymous Was a Woman</em>, upcoming at the Kreeger Museum, October 16 &#8211; December 31. Artists will include Jae Ko, <strong>linn meyers</strong>, Joyce J. Scott, and Renée Stout. More information <a href="https://www.kreegermuseum.org/exhibitions/view/upcoming" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Terry Svat</strong> and <strong>Kristine Deninno</strong> have work in the <em>Layers</em> exhibition at <a href="https://fallschurcharts.org/current-gallery/" target="_blank" rel="noreferrer noopener">Falls Church Arts</a>. Until September 28. More information <a href="https://fallschurcharts.org/product-category/layers/" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Joyce Wellman</strong> has work in the National Gallery of Art exhibition <em>With Passion and Purpose</em>, until October 5.<br><br><strong>Claire Winslow</strong> has four paintings in the <em>Capitol Hill Art League Juried Exhibition.</em> The exhibition runs until September 6. More information <a href="https://www.hillcenterdc.org/product-category/2025-chal/" target="_blank" rel="noreferrer noopener">here</a>. <br><br><strong>Julie Wolfe</strong> will be signing her latest book, <em>Apophenia Vol. 2: Exquisite Corpse</em>, at <strong>HEMPHILL</strong> on October 11. (Time TBD.)</p>



<h2 class="wp-block-heading">Gallery Member News</h2>



<p><strong>Adah Rose Gallery</strong> (Rockvillelocation) will be a venue for the multi-site <em>Women of the DMV</em> exhibition, September 7 &#8211; 29. Opening reception September 7, 3:00 &#8211; 5:00 pm.<br><br><strong>Addison/Ripley</strong>Christopher Baer, September 9 &#8211; October 18. Reception September 12, 5:00 &#8211; 8:00.<br><br><strong>Gallery Neptune &amp; Brown</strong><em>Vincent Ricardel: Chasing Light,</em> September 13 &#8211; October 18. Opening reception September 13, 5:00 &#8211; 7:00 pm.<br><br><strong>HEMPHILL</strong> <em>Melvin L. Nesbitt, Jr. Your Lil Friends, </em>September 13 &#8211; October 25. Opening reception Saturday, September 12, 4:00 &#8211; 7:00 pm.<br><br><strong>Morton Fine Art  </strong><em>Three Seasons</em>, an exhibition of the work of Meron Engida Hawke. September 18 &#8211; October 21.<br><br><strong>Pazo Fine Art</strong> (DC location) Joanne Kent and Richard Tinkler, September 13 &#8211; November 1. More information <a href="https://www.pazofineart.com/exhibitions/40-vibrations-joanne-kent-and-richard-tinkler-washington-d.c/" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Pyramid Atlantic </strong><em>Women Artists of the DMV</em>, including WPC members <strong>Kristine Deninno, Jenny Freestone, Pauline Jakobsberg, Carol Reed,Terry Svat,</strong> and <strong>Ellen Winkler</strong>. September 13 &#8211; November 2.<br><br><strong>Washington Printmakers Gallery </strong><em>Now and Then</em>, a celebration of the Gallery&#8217;s 40 years. September 4 &#8211; 28. Opening reception September 6, 3:00 &#8211; 5:00 pm. Closing reception September 28, 2:00 &#8211; 4:00 pm.<br></p>



<h2 class="wp-block-heading">Of Interest</h2>



<p><strong><em>Brand X: Innovation in Screenprinting,</em></strong> Philadelphia Museum of Art, through November 16.<br><br><strong>Cut + Paste: Experimental Japanese Prints and Photographs</strong>, National Museum of Asian Art (Smithsonian), until November 30.<br><br><strong>IFPDA Print Month</strong> Online Programming. A extensive selection of online print-related programs are available in the coming weeks. <a href="https://www.fineartprintfair.org/printmonth-2025?mc_cid=1a98b73d8f" target="_blank" rel="noreferrer noopener">Click here for further information.</a><br><br><strong><em>Little Beasts: Art, Wonder and the Natural World</em></strong>, National Gallery of Art. Until November 2.<br><br><strong><em>Radical Alteration</em></strong> (Book Arts), National Museum of Women in the Arts. Until September 28.<br><br><strong><em>Vivian Browne: My Kind of Protest</em></strong>, Phillips Collection, until September 28. More information <a href="https://www.phillipscollection.org/event/2025-06-28-vivian-browne-my-kind-protest" target="_blank" rel="noreferrer noopener">here</a>.</p>



<h2 class="wp-block-heading">Save the Dates</h2>



<p><strong>October 11</strong> &#8211; Visit to the studio of Julia Bloom<strong>.</strong><br><br><strong>October 26</strong> &#8211; Visit to the studio of Caitlin Teal Price</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-september-5-2025/">Newsletter, September 5, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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		<title>Newsletter, August 23, 2025</title>
		<link>https://washingtonprintclub.org/news/newsletter-august-23-2025/</link>
		
		<dc:creator><![CDATA[WPC]]></dc:creator>
		<pubDate>Tue, 26 Aug 2025 16:11:17 +0000</pubDate>
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					<description><![CDATA[<p>Visit to the Private Collection of Joe Wetzel and Catherine Day.  The Women of the DMV Multi-Site Exhibition Includes Work by Many WPC Members.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-august-23-2025/">Newsletter, August 23, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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<h3 class="wp-block-heading">Please Join Us for a Visit to the Private Collection of Joe Wetzel and Catherine Day<br>Saturday, September 6, 1:00 pm</h3>


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<p>Catherine and Joe have been collecting art together most of their adult lives. Rooted in their shared love of photography and printmaking, the collection of over 200 pieces leans heavily into works on paper. While the focus is American modern and contemporary art, the collection crosses borders and centuries. European prints, ancient artifacts (including a 1st-century Greek terracotta and a fragment of a Ptolemaic-period Egyptian sarcophagus), contemporary glass, and small sculpture all find a home here.</p>



<p>The Wetzel/Day home is located in Northern Virginia. Further logistical details will be sent to registrants.</p>



<p>Catherine and Joe have generously offered to open their home to 30 WPC members and their guests. Members may register for themselves and one guest. Please use the button below to RSVP by August 30.</p>



<div class="wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex">
<div class="wp-block-button"><a class="wp-block-button__link button wp-element-button" href="mailto:beverlywith@gmail.com" target="_blank" rel="noreferrer noopener">RVSP for the Wetzel/Day Private Collection Visit </a></div>
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<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="800" height="631" src="https://washingtonprintclub.org/wp-content/uploads/brushstroke.webp" alt="Roy Lichstenstein, Brushstroke, 1965" class="wp-image-7389" srcset="https://washingtonprintclub.org/wp-content/uploads/brushstroke-600x473.webp 600w, https://washingtonprintclub.org/wp-content/uploads/brushstroke-768x606.webp 768w, https://washingtonprintclub.org/wp-content/uploads/brushstroke.webp 800w" sizes="auto, (max-width: 800px) 100vw, 800px" /><figcaption class="wp-element-caption">Roy Lichstenstein, Brushstroke, 1965<br>Silkscreen in colors on heavy wove paper. Edition of 280.<br>image: 22 3/16” x 28 ½”, sheet: 23” x 29”</figcaption></figure>

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<h2 class="wp-block-heading"><strong><em>The Women of the DMV</em><br>Multi-Site Exhibition Includes Work by Many WPC Members</strong></h2>



<p>The exhibition is curated by artist Lenny Campello.  <br><br><strong>American University Museum (Katzen Center). September 6 &#8211; December 7.</strong> Opening reception September 6. <br><strong>WPC members:</strong> Delna Dastur, Rosemary Feit Covey, Mary Early, Helen Frederick, Susan Goldman, June Linowitz, Amber Robles-Gordon, Joyce Wellman.<br><br><strong>Artists &amp; Makers, Rockville, MD. September 4 &#8211; October 29.</strong> Receptions September 5 and October 25. <br><strong>WPC members:</strong> Susan Hostetler, Leslie Nolan, and Elzbieta Sikorska.<br><br><strong>The Athenaeum, Alexandria, VA. September 25 &#8211; November 2.</strong> Opening reception September 28. <br><strong>WPC members:</strong> Julia Bloom, Sharon Fishel, and Cianne Fragione.<br><br><strong>Joan Hisaoka Healing Arts Gallery, DC. August 29 &#8211; September 28.</strong> Opening reception August 29. <br><strong>WPC member: </strong>Gail Shaw-Clemons.<br><br><strong>McLean Project for the Arts, McLean VA. September 11 &#8211; November 1.</strong> Opening reception September 18. <br><strong>WPC members: </strong> Carol Barsha, Jacqui Crocetta, Catherine Day, Cheryl Edwards, Mira Hecht.<br><strong><br>National Children&#8217;s Hospital Center, Washington DC. </strong><br><strong>WPC members:</strong> Mary Welch Higgins and Margaret Adams Parker.<br><br><strong>Pyramid Atlantic, Hyattsville, MD. September 13 &#8211; November 2. </strong>Opening reception September 13. <br><strong>WPC members:</strong> Kristine Deninno, Jenny Freestone, Carol Reed, Terry Svat, and Ellen Winkler.<br><br><strong>The Writer&#8217;s Center, Bethesda MD. September 13 &#8211; December 5.</strong> Opening reception September 13. <br><strong>WPC member:</strong> Eve Stockton.<br><br>Other participating WPC members for whom we don&#8217;t yet have venue information: Susan Campbell, Pauline Jakobsberg, Isabel Manolo, and Martha Olson.<br><br>WPC member Adah Rose Gallery (Rockville, MD) will also be an exhibition venue, September 7 &#8211; 29.  Opening reception September 7.<br></p>



<h2 class="wp-block-heading">More Member News</h2>



<p><strong>Julia Bloom</strong> has work in the <em>Art Clinic Online</em>&nbsp;exhibition at Glen Echo&#8217;s Popcorn Gallery, until September 28, and will have work in a group show at the Columbia University Rare Book &amp; Manuscript Library, <a href="https://www.meghitchcock.com/context-at-columbia-university" target="_blank" rel="noreferrer noopener"><em>Context: Art, Books &amp; Freedom</em>.</a> Opening September 11. Until May, 2026.</p>



<p><strong>Michèle Colburn</strong> will be hosting the exhibition <em>The Flower Power Redux</em> at her home and studio, opening October 4, 6:00 &#8211; 10:pm. <a href="mailto:mbcolburn2016@gmail.com" target="_blank" rel="noreferrer noopener">Please contact Michèle for further information.</a>   In addition, she will have solo shows at the Arts Club of Washington and at the DC Art Center (DCAC) in 2026.</p>



<p><strong>Michéle Colburn, Delna Dastur, Cianne Fragione, Mira Hecht, Gail Shaw-Clemons</strong>, and <strong>Elzbieta Sikorska</strong> are DC Commission on the Arts and Humanities art bank finalists. Opening reception of the finalist exhibition September 11, 6:00 &#8211; 8:00 pm.</p>



<p><strong>Rosemary Feit Covey&#8217;s</strong> work Red Handed &#8211; Sudan: Don&#8217;t Turn Away was on display at the Chautauqua Institute in July.</p>



<p><strong>Jacqui Crocetta, Susan Hostetler</strong>, and <strong>Delna Dastur</strong> are participating in the Collab exhibition at Touchstone Gallery, until September 1.</p>



<p><strong>Jacqui Crocetta, Susan Hostetler</strong>, and <strong>Cheryl Edwards</strong> are participating in the exhibition Order and Chaos, which features work created with blind and vision-impaired persons in mind. 3307 M St., NW. September September 4 &#8211; 27. Opening reception September 4. Gallery hours Saturdays 2:00 &#8211; 5:00 pm and by appointment.</p>



<p><strong>Delna Dastur</strong> will have work on view at the Second Street Gallery (Charlottesville VA) exhibition <a href="https://www.secondstreetgallery.org/teeny-tiny-trifecta-8" target="_blank" rel="noreferrer noopener"><em>Teeny Tiny Trifecta</em></a>. September 5 &#8211; 26. In addition, Delna will be participating in the exhibition <em>Friends Of</em>, USAN USAN, September 12 &#8211; 14, 737 7th St., NW. More information <a href="https://www.eventbrite.com/e/friends-of-usan-tickets-1592018603499?aff=oddtdtcreator" target="_blank" rel="noreferrer noopener">here.</a></p>



<p><strong>Kristine Deninno</strong>, <strong>Susan Pearcy, </strong>and <strong>Terry Svat</strong> will have work in the <strong>Washington Printmakers Gallery</strong> 40th anniversary exhibition, <em>Then and Now</em>, September 6 &#8211; 28. Opening reception September 6, 3:00 &#8211; 5:00 pm.<br><br><strong>Carlos Doria</strong> has work in the <strong>Pyramid Atlantic</strong> exhibition <em>Inside Out</em>. Until August 31.<br><br><strong>Cheryl Edwards</strong> is curating the exhibition <em>Before the Americas</em> at George Mason University, August 25 &#8211; November 15. More information <a href="https://www.masonexhibitions.org/exhibitions/before-the-americas" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Helen Frederick&#8217;s</strong> artist book installation <em>Turning Point</em>, as well as two of her other artist books, will be on view at Stellarhighway, New York, Until September 1.<br><br><strong>Helen Frederick</strong> and <strong>Randi Reiss-McCormack</strong> will have work in the Longwood Center for the Visual Arts (Farmville, VA) exhibition <em>CHASM: Intuition, Risk, and Certainty</em>. September 12 &#8211; February 2, 2026.<br><br><strong>Susan Goldman&#8217;s</strong> latest Printmaking Legacy Project documentary, <em>Portfolios: Lloyd Menard,</em> will screen at the Vortex Film Festival, Vermillion SD, September 26 &#8211; 28. Susan will have a solo exhibition of her work at Galerie Myrtis (Baltimore), November 8 &#8211; January 10. Artists&#8217; panel November 15, 2:00 pm. Susan and Myrtis Bedolla in conversation December 6, 2:00 pm.<br><br><strong>Mira Hecht</strong> will be showing her work at the ADA Art Gallery October 3 &#8211; December 18. More information about the ADA Gallery <a href="https://adawdc.org/en/page/13/culture" target="_blank" rel="noreferrer noopener">here.</a><br><br><strong>Susan Hostetler</strong> is participating in the exhibition <em>Dialogue of Clouds</em> at Jo Fleming Contemporary Art, Annapolis, MD, September 1 &#8211; October 25. Reception and artist talk September 13, 5:00 &#8211; 7:30 pm. <br><br><strong>linn meyers</strong> has been awarded both a year-long Sharpe-Walentas Studio Program residency and a Yaddo residency. linn will also be creating new works on paper at the Tamarind Institute and with the Ballet Collective. linn&#8217;s work is included and <em>Luminous Forms</em> at the Ucross Art Gallery, Clearmont, WY. Until January 10, 2026 and will have work in two upcoming shows<em>: Imperfectionism</em>, opening October 17 at the Wonzimer Gallery in Los Angeles and <em>Anonymous Was a Woman</em> at the Kreeger Museum, October 16 &#8211; December 31.<br><br><strong>Dennis Lee Mitchell</strong> has work in the exhibition <em>Blaze, Smoulder, Char</em>, <a href="https://www.sohnfineart.com/" target="_blank" rel="noreferrer noopener">Sohn Fine Art,</a> Lenox MA. Until October 6.<br><br><strong>Susan Pearcy</strong> will host an open studio in conjunction with the <a href="http:// www.countrysideartisans.com" target="_blank" rel="noreferrer noopener">Countryside Artisans Fall Tour</a>, October 3 &#8211; 5.<br><br><em><strong>Charles Ritchie</strong>: Drawing Place</em> was named &#8220;Best Documentary Short&#8221; at the LA International Cinema Awards, August 2025. The 10-minute feature debuted with the artist&#8217;s solo exhibition at BravinLee programs, NY last fall. It can be viewed online <a href="https://vimeo.com/1004168821?share=copy" target="_blank" rel="noreferrer noopener">here</a>. Charles will participate in <em>Stay Frosty</em>, a group installation organized by BravinLee programs, October 24 &#8211; 26.<br><br><strong>Soledad Salamé</strong> has work in the exhibition <em>Strong, Bright, Useful &amp; True</em> at the Frary Gallery, Johns Hopkins University Bloomberg Center (DC). Until September 6. The online catalog of that exhibition is available <a href="https://washingtondc.jhu.edu/arts-culture/irene-and-richard-frary-gallery/strong-bright-useful-and-true/#flipbook-strong-bright-useful-true-recent-acquisitions-and-contemporary-art-from-baltimore/1/" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Gail Shaw-Clemons </strong>has a print in the <em>Parkside National Print Exhibition</em> at the University of Wisconsin, Kenosha.<br><br><strong>Eve Stockton&#8217;s</strong> exhibition of woodcut prints, <em>Field Notes</em>, is on view at the Children&#8217;s National Hospital through January, 2026.<br><br><strong>Eve Stockton</strong> and <strong>Susan Goldman</strong> will be featured in an upcoming segment of <em>WETA Arts</em>. The episode will air September 8, 9:30 pm, September 9, 4:30 pm, September 21, 2:30 pm, September 22, 9:30 pm, and September 23, 4:30 pm.<br><br><strong>Vesela Stretenović</strong> is curator of <em>Anonymous Was a Woman</em>, upcoming at the Kreeger Museum, October 16 &#8211; December 31. Artists will include Jae Ko, <strong>linn meyers</strong>, Joyce J. Scott, and Renée Stout. More information <a href="https://www.kreegermuseum.org/exhibitions/view/upcoming" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Terry Svat</strong> and <strong>Kristine Deninno</strong> have work in the <em>Layers</em> exhibition at <a href="https://fallschurcharts.org/current-gallery/" target="_blank" rel="noreferrer noopener">Falls Church Arts</a>. Until September 28. More information <a href="https://fallschurcharts.org/product-category/layers/" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong>Joyce Wellman</strong> has work in the National Gallery of Art exhibition <em>With Passion and Purpose</em>, until October 5, and the Phillips Collection exhibition <em>Essex Hemphill: Take Care of Your Blessings</em>, until August 31.<br><br><strong>Claire Winslow</strong> has four paintings in the <em>Capitol Hill Art League Juried Exhibition.</em> The exhibition runs until September 6. More information <a href="https://www.hillcenterdc.org/product-category/2025-chal/" target="_blank" rel="noreferrer noopener">here</a>. In addition, Claire will have work in the Glen Echo Labor Day Art Show, August 30 &#8211; September 1.<br><br><strong>Julie Wolfe</strong> will be signing her latest book, <em>Apophenia Vol. 2: Exquisite Corpse</em>, at <strong>HEMPHILL</strong> on October 11. (Time TBD.)</p>



<h2 class="wp-block-heading">Gallery Member News</h2>



<p><strong>Adah Rose Gallery</strong> (Rockvillelocation) will be a venue for the multi-site <em>Women of the DMV</em> exhibition, September 7 &#8211; 29. Opening reception September 7, 3:00 &#8211; 5:00 pm.<br><br><strong>Addison/Ripley</strong>Christopher Baer, September 9 &#8211; October 18. Reception September 12, 5:00 &#8211; 8:00.<br><br><strong>Gallery Neptune &amp; Brown </strong><em>Blue and Beyond</em> features works by Paul Inglis, Raya Bodnarchuk, Vija Celmins, Richard Diebenkorn, Elizabeth Enders, Stephen Estrada, Ben Ferry, Adam Fowler, RB Kitaj, Oleg Kudryashov, Christophe Morlinghaus, Frank Stewart, Kate Shepherd, Foon Sham, Barbara Takenaga, Masha Trebbukova, Paul Villinski, and Jowita Wyszomirska. Until August 29. <em>Vincent Ricardel: Chasing Light,</em> September 13 &#8211; October 18. Opening reception September 13, 5:00 &#8211; 7:00 pm.<br><br><strong>HEMPHILL</strong> <em>Melvin L. Nesbitt, Jr. Your Lil Friends, </em>September 13 &#8211; October 25. Opening reception Saturday, September 12, 4:00 &#8211; 7:00 pm.<br><br><strong>Morton Fine Art  </strong><em><a href="https://www.mortonfineart.com/show/morton-fine-art-summer-survey" target="_blank" rel="noreferrer noopener">Summer Survey</a> </em>with works by Sally Curcio, Kesha Bruce, Andrei Petrov, Maliza Kiasuwa, Osi Audu, Jenny Wu, Hiromitsu Kuroo, Hannelie Coetzee, and Maya Freelon. Until August 30.<br><br><strong>Pazo Fine Art</strong> (Closed for Summer break)<br><br><strong>Pyramid Atlantic </strong><em>Inside Out: Art from the Pyramid Atlantic Studios. </em>Until August 31. Among the featured artists is WPC member <strong>Carlos Doria</strong>.<br><br><strong>Washington Printmakers Gallery </strong>The <a href="https://www.washingtonprintmakers.com/exhibits/nsw-2025" target="_blank" rel="noreferrer noopener"><em>Peggy Doole National Small Works </em>exhibition</a> featuring work by 122 artists representing 22 states. Until August 31.</p>



<h2 class="wp-block-heading">Save the Dates</h2>



<p><strong>September 20, 11:00 am</strong>. Visit to the studio of Carol Barsha.<br><br><strong>September 27, 11:00 am</strong>. Visit to the studios of Charlie and Jenny Ritchie.<br><br><strong>October 11, 11:00 am</strong>. Visit to the studio of Julia Bloom.</p>



<h2 class="wp-block-heading">Of Interest</h2>



<p><strong>Art on Paper New York </strong>art fair. September 5 &#8211; 7. More information <a href="https://ny.thepaperfair.com/" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong><em>Brand X: Innovation in Screenprinting,</em></strong> Philadelphia Museum of Art, through November 16.<br><br><strong>Cut + Paste: Experimental Japanese Prints and Photographs</strong>, National Museum of Asian Art (Smithsonian), until November 30.<br><br><strong><em>Little Beasts: Art, Wonder and the Natural World</em></strong>, National Gallery of Art. Until November 2.<br><br><strong><em>Radical Alteration</em></strong> (Book Arts), National Museum of Women in the Arts. Until September 28.<br><br><strong><em>Vivian Browne: My Kind of Protest</em></strong>, Phillips Collection, June 28 &#8211; September 28. More information <a href="https://www.phillipscollection.org/event/2025-06-28-vivian-browne-my-kind-protest" target="_blank" rel="noreferrer noopener">here</a>.<br><br><strong><em>With Passion and Purpose: Gifts from the Collection of Larry D. and Brenda A. Thompson</em></strong>, National Gallery of Art. Until October 5. Co-curated by WPC member <strong>Shelley Langdale</strong>, along with Kanitra Fletcher. More information <a href="https://www.nga.gov/exhibitions/passion-and-purpose" target="_blank" rel="noreferrer noopener">here</a>.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-august-23-2025/">Newsletter, August 23, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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		<title>Newsletter, June 25, 2025</title>
		<link>https://washingtonprintclub.org/news/newsletter-june-25-2025/</link>
		
		<dc:creator><![CDATA[WPC]]></dc:creator>
		<pubDate>Wed, 25 Jun 2025 18:34:38 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<guid isPermaLink="false">https://washingtonprintclub.org/?p=7333</guid>

					<description><![CDATA[<p>Last call for catalog orders.   Winner of the 2025 Student Printmaker Award.</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-june-25-2025/">Newsletter, June 25, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="mai-columns"><div class="mai-columns-wrap has-columns" style="--column-gap:var(--spacing-xl);--row-gap:var(--spacing-xl);--align-columns:start;--align-columns-vertical:initial;">
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<h2 class="wp-block-heading">Last Call for The DMV Collects the DMV Catalog Orders</h2>



<p>The Washington Print Club is publishing a catalog of its 60th anniversary exhibition The DMV Collects the DMV, which was hosted by the Kreeger Museum in the fall of 2024.</p>



<p>The ordering deadline for the catalog is June 30. After that, it will not be possible to place your order.</p>



<p>WPC members&#8217; cost is $30 (with the discount code you received in an earlier mailing.) If you cannot locate your discount code, please click here to contact the WPC.</p>



<p>The catalog cost for nonmembers is $45.</p>



<p>Please note that all artists and lenders who had works in the exhibition will receive one free catalog.</p>



<p>All orders MUST be received by June 30. Catalogs will be printed and mailed after the June 30 order closing date.</p>



<div class="wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex">
<div class="wp-block-button"><a class="wp-block-button__link button wp-element-button">Click here to order your &#8220;DMV Collects the DMV&#8221; catalog</a></div>
</div>

</div>

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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="767" height="1024" src="https://washingtonprintclub.org/wp-content/uploads/Tom-Green-Message-2000-767x1024.jpg" alt="Tom Green, Message, 2000" class="wp-image-6774" srcset="https://washingtonprintclub.org/wp-content/uploads/Tom-Green-Message-2000-449x600.jpg 449w, https://washingtonprintclub.org/wp-content/uploads/Tom-Green-Message-2000-767x1024.jpg 767w, https://washingtonprintclub.org/wp-content/uploads/Tom-Green-Message-2000-768x1025.jpg 768w, https://washingtonprintclub.org/wp-content/uploads/Tom-Green-Message-2000-1151x1536.jpg 1151w, https://washingtonprintclub.org/wp-content/uploads/Tom-Green-Message-2000.jpg 1200w" sizes="auto, (max-width: 767px) 100vw, 767px" /><figcaption class="wp-element-caption">Tom Green, Message, 2000. Screenprint. Collection: Brigitte Reyes and Lawrence Mills Davis</figcaption></figure>

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<h2 class="wp-block-heading has-text-align-left">Winner of the 2025 Student Printmaker Award</h2>



<p>Congratulations to Amelia Irausquin of George Mason University, winner of the 2025 Student Printmaker Award. Amelia displayed some of her work and received her award at the June 14 WPC annual meeting.</p>
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<figure class="aligncenter size-full"><img loading="lazy" decoding="async" width="800" height="600" src="https://washingtonprintclub.org/wp-content/uploads/Amelia-Irausquin-receiving-award.webp" alt="Amelia Irausquin, winner of the 2025 Student Printmaker Award, receiving her award." class="wp-image-7334" srcset="https://washingtonprintclub.org/wp-content/uploads/Amelia-Irausquin-receiving-award-400x300.webp 400w, https://washingtonprintclub.org/wp-content/uploads/Amelia-Irausquin-receiving-award-600x450.webp 600w, https://washingtonprintclub.org/wp-content/uploads/Amelia-Irausquin-receiving-award-768x576.webp 768w, https://washingtonprintclub.org/wp-content/uploads/Amelia-Irausquin-receiving-award.webp 800w" sizes="auto, (max-width: 800px) 100vw, 800px" /><figcaption class="wp-element-caption">Amelia Irasquin Receiving her Award from WPC President Christopher With</figcaption></figure>
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<h2 class="wp-block-heading">Member News</h2>



<p><strong>Carol Barsha</strong> and <strong>Michéle Colburn</strong> have work in the exhibition <em>Beauty is What We Are Fighting For</em> at the Cade Gallery, Anne Arundel Community College. Until July 26. <a href="https://www.aacc.edu/campus-life/visit-an-art-show/cade-center-gallery/#three" target="_blank" rel="noreferrer noopener">More information here</a>.</p>



<p><strong>Julia Bloom</strong> will have work in a group show at the Columbia University Rare Book &amp; Manuscript Library. Opening September 11. More information will be available at a later date.</p>



<p><strong>Anna Child</strong> is a finalist for the 2025 Bethesda Painting Award. Finalists&#8217; work will be shown at Gallery B (Bethesda), until June 29.</p>



<p><strong>Carlos Doria</strong> has concluded a Berlin, Germany, residency, which culminated with an exhibition.</p>



<p><strong>Cheryl Edwards</strong> is curating the exhibition Before the Americas. Controversially canceled by the Art Museum of the Americas, the exhibition will be hosted by George Mason University, August 25 &#8211; November 15. <a href="https://www.masonexhibitions.org/exhibitions/before-the-americas" target="_blank" rel="noreferrer noopener">More information here</a>.</p>



<p><strong>Sharon Fishel</strong> has an exhibition of her work at the Athenaeum (Alexandria, VA). Until June 29. Artist talk June 28, 2:00 pm.</p>



<p><strong>Helen Frederick</strong> and <strong>Randi Reiss-McCormack</strong> will have work in the Longwood Center for the Visual Arts (Farmville, VA) exhibition CHASM: Intuition, Risk, and Certainty. September 12, 2025 &#8211; February 2, 2026.</p>



<p><strong>Robert Hunter</strong> had a print selected for the Center for Contemporary Printmaking&#8217;s 15th Biennial Internation Miniature Print Exhibtion. The exhibition will run until August 24. <a href="https://contemprints.org/exhibition/15th-biennial-miniature-print-international-exhibition/">More information here</a>.</p>



<p><strong>linn meyers</strong> has been awarded both a year-long Sharpe-Walentas Studio Program residency and a Yaddo residency. linn will also be creating new works on paper at the Tamarind Institute and with the Ballet Collective. linn&#8217;s work is included in two exhibitions: <a href="https://www.track16.com/my-house-burned-down" target="_blank" rel="noreferrer noopener">My House Burnt Down</a> at the Track 16 Gallery in Los Angeles (until June 28) and Luminous Forms at the Ucross Art Gallery, Clearmont, WY (until January 10, 2026).</p>



<p><strong>Soledad Salamé</strong> has work in the exhibition Strong, Bright, Useful &amp; True at the Frary Gallery, Johns Hopkins University Bloomberg Center (DC). Until September 6. The online catalog of that exhibition is <a href="https://washingtondc.jhu.edu/arts-culture/irene-and-richard-frary-gallery/strong-bright-useful-and-true/#flipbook-strong-bright-useful-true-recent-acquisitions-and-contemporary-art-from-baltimore/1/" target="_blank" rel="noreferrer noopener">available here</a>.</p>



<p><strong>Karen Seibert</strong> will speak on the work of Werner Drewes Sunday, June 29, 2:00 pm in conjunction with an exhibition of Drewes&#8217; work at the Huntington (WV) Museum of Art. The exhibition runs until August 17.</p>



<p><strong>Gail Shaw-Clemons</strong> has four prints in the new Cedar Hill Hospital (Southeast DC).</p>



<p><strong>Eve Stockton</strong> and <strong>Susan Goldman</strong> will be exhibiting their work at the Long View Gallery exhibition, FLOURISH. Until July 6. Appointment required.</p>



<p><strong>Joyce Wellman</strong> has work in the National Gallery of Art exhibition <em>With Passion and Purpose</em>. Until October 5.</p>



<p><strong>Claire Winslow</strong> will have four paintings in Hill Center Regional Juried Art Show (Capital Hill, DC). The exhibition runs until September 6.</p>



<h2 class="wp-block-heading">Gallery Member News</h2>



<p class="has-text-align-left"><strong>Adah Rose Gallery</strong> (Rockville, MD location<em>) Carte Blanch: Summer Show. </em>Artists include <strong>Helen Frederick</strong>, <strong>Catherine Day</strong>, Kirsty Little, William Masters, Sarah Purvey,  Emily Pettigrew, David Carlson, <strong>June Linowitz</strong>, Jayme McLellan, <strong>Mary Higgins</strong>, Jean Sausele Knodt, Monica Jaham Bose, Jackie Hoysted, <strong>Jacqui Crocetta</strong>, Rosa Vera, Pat Goslee, <strong>Elzbieta Sikorska</strong>, Caroline Mayorga, Brian Williams, Jonathan Ottke, Madyha Leghari, Iwan Bagus,  Gen DeLeon and Lila Snow. Vernissage June 29. Until July 31.</p>



<p><strong>Addison/Ripley</strong><em>Kay Jackson: 35 Years of Environmental Art.</em>&nbsp;Until July 26.</p>



<p><strong>Gallery Neptune &amp; Brown </strong><em>Blue and Beyond</em> features works by Paul Inglis, Raya Bodnarchuk, Vija Celmins, Richard Diebenkorn, Elizabeth Enders, Stephen Estrada, Ben Ferry, Adam Fowler, RB Kitaj, Oleg Kudryashov, Christophe Morlinghaus, Frank Stewart, Kate Shepherd, Foon Sham, Barbara Takenaga, Masha Trebbukova, Paul Villinski, and Jowita Wyszomirska. Until August 2.</p>



<p><strong>Morton Fine Art  </strong>Meron Engida Hawke, opening September 20, 2:00 &#8211; 4:00 pm. New drawings on paper by Michael Andrew Booker, opening October 25, 2:00 &#8211; 4:00 pm.</p>



<p><strong>Pazo Fine Art</strong> (DC location) <em>Benign Aggressors, </em>featuring the work of Enise Carr, Alex Ebstein, Maggie King Johns, and Anne Clare Rogers. Until August 2.</p>



<p><strong>Pazo Fine Art </strong>(Kensington, MD location) <em>Alex Puz: Trichromacy.</em> Until July 26.</p>



<p><strong>Pyramid Atlantic </strong><em>Press On</em>, an exhibition of the art of letterpress, until July 13.</p>



<p><strong>Washington Printmakers Gallery </strong><em>Korofina: Infinite Itineraries</em>, until June 29. Closing reception, Saturday June 28, 3:30 &#8211; 4:30 pm. <em>Philippe Ricard: Attached Observer,</em> July 3 &#8211; 27. Opening reception July 5, 2:00 &#8211; 5:00 pm</p>



<h2 class="wp-block-heading">Of Interest</h2>



<p><strong><em>Cut + Paste: Experimental Japanese Prints and Photographs</em></strong>, National Museum of Asian Art (Smithsonian), until November 30.</p>



<p><strong>Paper Conservation</strong> with Sylvia Albro, Phillips Collection, June 27, 12:00 &#8211; 1:00 pm. More information and reservations <a href="https://www.phillipscollection.org/event/2025-06-27-living-room" target="_blank" rel="noreferrer noopener">here.</a></p>



<p><strong><em>Vivian Browne: My Kind of Protest</em></strong>, Phillips Collection, June 28 &#8211; September 28. More information <a href="https://www.phillipscollection.org/event/2025-06-28-vivian-browne-my-kind-protest" target="_blank" rel="noreferrer noopener">here</a>.</p>



<p><strong><em>With Passion and Purpose: Gifts from the Collection of Larry D. and Brenda A. Thompson</em></strong>, National Gallery of Art. Until October 5. Co-curated by WPC member <strong>Shelley Langdale</strong>, along with Kanitra Fletcher. More information <a href="https://www.nga.gov/exhibitions/passion-and-purpose" target="_blank" rel="noreferrer noopener">here</a>.</p>


<p>The post <a href="https://washingtonprintclub.org/news/newsletter-june-25-2025/">Newsletter, June 25, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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		<title>Newsletter, June 7, 2025</title>
		<link>https://washingtonprintclub.org/news/newsletter-june-7-2025/</link>
		
		<dc:creator><![CDATA[Melissa Fast]]></dc:creator>
		<pubDate>Mon, 09 Jun 2025 13:11:10 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<guid isPermaLink="false">https://washingtonprintclub.org/?p=7319</guid>

					<description><![CDATA[<p>Reminder: Annual Meeting June 14</p>
<p>The post <a href="https://washingtonprintclub.org/news/newsletter-june-7-2025/">Newsletter, June 7, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
]]></description>
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<figure class="aligncenter size-full"><img loading="lazy" decoding="async" width="335" height="130" src="https://washingtonprintclub.org/wp-content/uploads/the-washington-print-club.png" alt="The Washington Print Club logo" class="wp-image-12"/></figure>
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<h2 class="wp-block-heading has-text-align-center">Reminder <br><strong>Please Join us for the<br>WPC Annual Meeting<br><br>June 14, 2:00 &#8211; 4:00 pm<br>Pyramid Atlantic, Hyattsville MD</strong></h2>





<p class="has-text-align-center">The Washington Print Club annual meeting and reception will take place Saturday, June 14, 2:00 &#8211; 4:00 pm at Pyramid Atlantic in Hyattsville, MD. We do hope that you can join us for this highlight of our year. Guests are welcome. Light fare will be served.<br><br>The annual meeting is a wonderful opportunity to reconnect with old friends and to meet our newer members. The program will include:</p>



<ul class="wp-block-list">
<li>Election of board members. The slate of board members up for re-election are Joan Filson, Linda Morenus, Katherine Powell, Carol Reed, Brian Weinstein, Christopher With, and Beverly With. There are three new candidates for the board, Diane Arkin, Cheryl Edwards, and Deborah Grayson. You can review their information <a href="https://mcusercontent.com/cf4da0f772899d4b8b06dd8f3/files/c55e4666-34ca-e826-e4df-e121f38869cb/WPC_board_candidates.docx" target="_blank" rel="noreferrer noopener">here.</a></li>



<li>The popular &#8220;collectors&#8217; showcase&#8221; in which WPC members share works from their collections.</li>



<li>The Student Printmaker Award ceremony. This year&#8217;s awardee is Amelia Irausquin of George Mason University.</li>
</ul>



<p>Guests are welcome and encouraged!<br><br>Pyramid Atlantic is located at 4318 Gallatin Street, Hyattsville, MD. Street parking is usually available and there is a municipal lot nearby.<br><br>Please note: June 14 coincides with events adjacent to the National Mall that will entail road closures and detours. Please plan your travel accordingly.</p>



<p class="has-text-align-left">We look forward to seeing you at the annual meeting!</p>



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<div class="wp-block-group"><div class="wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained">
<h2 class="wp-block-heading has-text-align-center"><strong>WPC 60th Anniversary Exhibition Catalog Available for Pre-Order</strong></h2>
</div></div>



<p>We are happy to announce that the Washington Print Club is publishing a catalog of its 60th anniversary exhibition <em>The DMV Collects the DMV</em>, which was hosted by the Kreeger Museum in the fall of 2024.</p>



<p><a href="https://washingtonprintclub.org/wpc-60th-anniversary-exhibition-dmv-collects-dmv/" target="_blank" rel="noreferrer noopener">Please click here to to pre-order your catalog</a>. The ordering deadline is June 30. <strong>This will be the only opportunity to obtain printed copies of the catalog.</strong></p>



<p>WPC members’ cost is $30 (with the discount code you received in an earlier mailing.) If you cannot locate your discount code, <a href="mailto:info@washingtonprintclub.org?subject=discount%20code" target="_blank" rel="noreferrer noopener">please click here to contact the WPC.</a></p>



<p>Please note that all artists and lenders who had works in the exhibition will receive one free catalog.</p>



<p><strong>All orders must be received by June 30.</strong> Catalogs will be printed and mailed after the June 30 order closing date.</p>



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<p>The post <a href="https://washingtonprintclub.org/news/newsletter-june-7-2025/">Newsletter, June 7, 2025</a> appeared first on <a href="https://washingtonprintclub.org">Washington Print Club</a>.</p>
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